Where there is fear there is strength: at Sesc Belenzinho, Nádia...
Nádia Taquary graduated in Literature, but soon embarked on the path of art education. It was during a period of personal retreat that she came into contact...
A river does not exist alone: artists reflect on belonging and interdependence...
In the heart of Belém, the Zoobotanical Park of the Museu Paraense Emílio Goeldi becomes, until December 30th, a territory for listening and coexistence between...
The critic's wall
"On this wall are some of the works I keep in my home. I donated others to MAR, the Rio Art Museum." The...
EXHIBITION OF AFRICAN LANGUAGES IN BRAZILIAN CULTURE ARRIVES IN VITÓRIA –...
The Vale Museum is one of the main cultural spaces in the state of Espírito Santo and, in its extramural period, it expands its presence in the territory...
The fury and battles of Niki de Saint Phalle
Visionary, explosive, and revolutionary, Niki de Saint Phalle (1930–2002) turned 20th-century art upside down. Her works, marked by explosions of color...
Photo studio as resistance
BY LEONOR AMARANTE Photographer Luiza Segulem doesn't limit herself to recording bodies in motion: she challenges the logic of the gaze in a set of...
The language of Brazilians
The exhibition "Fala Falar Falares," on display at the Museum of the Portuguese Language until September 14, 09, helps us understand the dimension of the act of speaking. In addition...
Steam and Concrete: Fluxes, by Laura Vinci
The exhibition Fluxos, by Laura Vinci, presented at the Brazilian Museum of Sculpture (MuBE), in São Paulo, curated by Agnaldo Farias, proposes a reading of her sculptural production that emphasizes, above all, the relationship between volumes and the passage of time.
Spaceships and guerrillas: the tentacles of pop art in Brazil, a...
Exhibition presents a broad panorama of Brazilian art from the 1960s and 1970s
André Toral's Mexico
In “Travel Report”, an exhibition that opens this Saturday, June 14, at Graphias, André Toral brings together a diverse set of works produced...
