Migrant Art Gallery
Foreword - Boycott of the Triumphal Entry: Painting as a Transmitter of Coloniality
Mil Graus focuses on the creative power of the streets
Panorama of the Museum of Modern Art of SP, held for the first time at MAC-USP, addresses practices that diverge from hegemonic standards
Tijuana Triennial showcases art as resistance
Artists from 14 countries, from different generations, explore the diversity of current contemporary production
Curatorial inconsistencies at the Venice Biennale
by Maykson Cardoso Berlin-based art researcher PhD candidate in Visual Arts at the School of Fine Arts at UFRJ Fabio Cypriano is one of the last bastions...
Multiple subjects
Adriano Pedrosa brings together a significant number of indigenous and LGBTQIA+ artists, all foreigners on this planet
'It won't become the Flood Biennial'
Curator of the Mercosul Biennial, Raphael Fonseca says he will avoid 'literalizing' the issue of flooding in Rio Grande too much, and that the general theme, 'Snap', remains
Greed and debt are pillars on display at the Prada Foundation
Radical intervention by Swiss artist Christoph Büchel reviews the history of capitalism, the city of Venice and contemporary art itself
The catastrophe of the attacks on Palestine in Venice
Work by the duo Basel Abbas and Ruanne Abou-Rahme denounces how hospitals have become prisons and have been constantly bombed; in September, the artists participate in an exhibition in São Paulo, in the Moraes-Barbosa collection
Venice Biennale submerges in neoliberal strategies
Curator of the 60th edition, Brazilian Adriano Pedrosa, uses personal marketing, support for the secondary market and emptying of political meanings in the 60th edition of the Italian exhibition
The 60th Venice Biennale and other stories
Adriano Pedrosa, curator of the Italian exhibition, talks about how he emerged into art
