Paris: restoration and culture of memory
At a time of relative respite from the pandemic that has been plaguing us for almost two years, Paris took the opportunity to present some of its novelties with contemporary jewelry.
Debate monuments: should we tear them down?
Fire at the Borba Gato statue, in São Paulo, reignites discussion about monuments, check out some points of this debate
Mapping the roles of subversion
In a curious paradox, the police files gathered by the State Department of Political and Social Order of São Paulo (Deops) in order to...
Guy Brett: an extraordinary “ordinary” life
About a month after the death of the British critic and curator Guy Brett, Chilean curator Alexia Tala writes about the personality and thought of one of the most important figures for the diffusion of Latin American art, especially Brazilian art, in European lands.
Between real and metaphorical fires
The work “Open Night”, by Thiago Rocha Pitta, opens the Interventions Program at MAM Rio and honors the National Museum on the two-year anniversary of the fire that devastated Rio’s space
2015 | The lion called Ferrari
In the centenary of the Argentine artist, remember the text about "León Ferrari: Between Dictatorships", exhibition with almost 100 works from the MASP collection
What to do with the monuments of exaltation to the pioneers?
In the wake of the recent review of racist monuments around the world, with notable cases in England, Belgium and the USA, it is urgent to discuss the Brazilian case as well.
Life and work of Vladimir Herzog are honored
After two years of research and organization, a virtual platform created by the Vladimir Herzog Institute with the support of Itaú Cultural brings together more than a thousand items from Vlado's personal and professional life to celebrate the journalist
Dissident calendar, graphic document of Brazilian politics
Didiana Prata works with images of the flow of networks that are cataloged and archived from the analysis of hashtags
The Memory of Last Things and After
The efforts, shown in the book Tsunami, Photographs and Then, to preserve memory through photography after the Sendai Earthquake
