New MASP: a courageous project, it finds its way on a tightrope between...
By Pedro Mendes da Rocha Thinking about the MASP Annex I heard some criticisms of the project and I want to say that I really liked it. First of all, because it assumes its supporting role to the building...
Thomaz Farkas: in love with Brazil and Brazilians
By: Simonetta Persichetti and Rubens Fernandes Junior Getting to know Brazil through the eyes of Thomaz Farkas (1924-2011) is always an enriching experience. A careful look, images that appear to us demonstrating what our eyes alone,...
Curitiba will gain an extension to the Museum of Contemporary Art (MAC) in 2025
A new museum space is set to arrive in Curitiba (PR) in 2025, in the wake of an unprecedented urban innovation project: the Fábrica complex...
Learn to rewind
Read the editorial of issue #68 of arte!brasileiros, by Patricia Rousseaux
Migrant Art Gallery
Foreword - Boycott of the Triumphal Entry: Painting as a Transmitter of Coloniality
Memory policies: the genesis of the Museo del Barro
Director of the institution, Lia Colombino spoke about the contexts that led to the founding of the museum; debaters sought analogies with the proposal for the Museum of Origins, by Mario Pedrosa
By Fire and Iron
Panorama of the Museum of Modern Art of SP, held for the first time at MAC USP, addresses practices that diverge from hegemonic standards
Mil Graus focuses on the creative power of the streets
Panorama of the Museum of Modern Art of SP, held for the first time at MAC-USP, addresses practices that diverge from hegemonic standards
Weaving another story
Simultaneous exhibitions investigate African knowledge and practices, comparing past and present and proposing new paths for research and contemporary art
Dandara: between legend and resistance
The construction of a black heroine and art as a counternarrative
Unlearn imperialism and repair
In 'Potential History', artist and academic Ariella Aïsha Azoulay proposes new ways of rethinking the colonialist mode based on concepts such as unlearning and repairing, opposing the notion of progress
Sertão Negro Studio and School of Arts: a project for the future in the center of Brazil
Artistic-cultural space in the capital of Goiás proposes dialogues between visual arts, backlands and the cerrado based on traditional knowledge of Afro-Brazilian and African origins
New drifts
Read the editorial of issue #68 of arte!brasileiros, by Patricia Rousseaux
Tijuana Triennial showcases art as resistance
Artists from 14 countries, from different generations, explore the diversity of current contemporary production
Issue #68 contributors
See who are some of the contributors to issue #68 of arte!brasileiros
Oscar Niemeyer Museum hosts wedding party and sparks controversy
One of the largest museums in Latin America, designed by architect Oscar Niemeyer, with a collection of 14 thousand works and 35 thousand square meters...
In charge of MAC USP, José Lira and Esther Hamburger want a museum each...
Just over two months after taking over the management of the Museum of Contemporary Art of the University of São Paulo (MAC USP) for a...
Curatorial inconsistencies at the Venice Biennale
by Maykson Cardoso Berlin-based art researcher PhD candidate in Visual Arts at the School of Fine Arts at UFRJ Fabio Cypriano is one of the last bastions...
Ana Magalhães takes stock of her management at MAC USP, a museum between the university...
When Ana Gonçalves Magalhães and Marta Bogéa took over as director of the Museum of Contemporary Art of the University of São Paulo (MAC USP), in July...
World Journal
The Martins&Montero gallery, located at 50 Jamaica Street, brought together, between August 10th and September 14th, 28 works by Trompaz, an artist/activist of...
With an increase in visitors, the second edition of the Public Program of...
Among the various actions implemented by the Museu Paranaense since the arrival of its new management team in 2019, its Public Program...
Tarsila do Amaral Special
On September 1, 2024, the artist would have turned 138 years old. In celebration, we have compiled a series of articles to delve deeper into the trajectory of the modernist
Exhibition “Lia D Castro: everywhere and nowhere”
Artist and intellectual, Lia D Castro investigates how relations of race, class, gender and sexuality occur in situations of intimacy and vulnerability.
Ancestry and context in the PIPA Prize
The winning artists of the PIPA 2024 Prize are Aislan Pankararu, Aline Motta, enorê and Nara Guichon. They are part of an exhibition at Terreiro do...
The country's largest sacred art museum, in Salvador, is closed
Museum of Sacred Art of Bahia (MAS) faces serious structural risks and its collection is threatened, warns Federal University of Bahia (UFBA).
Exhibition “African languages that make Brazil” 🔒
Curated by musician and philosopher Tiganá Santana, the exhibition not only presents words of African origin, but also works by contemporary artists who explore this rich cultural heritage.
Director of the Afro Brasil Museum, Hélio Menezes defends 'dealing with racism without reenacting it'
A frequenter and researcher at the Afro Brasil Museum for around 12 years, curator, cultural manager and doctoral student in Anthropology Hélio Menezes, 37, took on...
!['Wild Landscape IV' (2024), Leda Catunda. Photo: Eduardo Ortega. Courtesy [Courtesy] Fortes D'Aloia & Gabriel, São Paulo/Rio de Janeiro](https://artebrasileiros.com.br/wp-content/uploads/2024/08/LEDA-CATUNDA-Paisagem-selvagem-IV-2024--scaled-e1723135258390-218x150.jpg "Last year's top ten tourist destinations in the world")
Last year's top ten tourist destinations in the world
A waterfall of Arabian skirts, an Eldorado in the Egyptian rainforest, the large lake-store at an airport, the feast of Saint Thomas...
The spiritual and ecological dimensions of national artistic practice
At the head of the curatorship of the 38th Panorama of Brazilian Art, Germano Dushá, Thiago de Paula Souza and Ariana Nuala wanted to avoid, in the selection of...
Rio Art Museum hosts funk and popular parties in two exhibitions
The appropriation of a museum by the residents of the city where it is located is one of the merits achieved by the FUNK exhibition: A cry of boldness...
From boiling beans to boiling a career
Black bean water, earth of different colors and textures, saffron, tapioca starch, bamboo, charcoal, mango leaf, banana seed, bird grass, eucalyptus...
Catastrophe, tragedy and disaster as clinical and aesthetic categories
The Greek radical katá refers to the movement from top to bottom, opposite, therefore, to the movement of asceticism or elevation. Assimilation, or metabolism, is opposed to catabolism, as a process of...
