The day June refuses to end.

On the day dedicated to the protector of Bumba Meu Boi, São Luís transforms memory into a procession and makes the month last an extra day.
Omar Salomão and Mirella Schena

When art takes over the landscape.

Located in Vila Velha, a municipality in the metropolitan region of Vitória, the Casa do Governador Cultural Park brings together contemporary art, nature, and education in one of the most important Brazilian experiences in audience development and artistic enjoyment in an open space.

Cais das Artes, a new cultural center in Espírito Santo, presents...

By Giuliano de Miranda. Designed by the architect Paulo Mendes da Rocha from Espírito Santo, the Cais das Artes (Arts Wharf) began construction in 2010, with an initial forecast...

The Human Anthill of Pau da Bandeira

By Bibiana Belisário There is a curious fact about leafcutter ants: despite their small size, they are able to transport leaves, bark, branches, and plant fragments that...
Nice Advances

Nice Avanza returns to the Espírito Santo Art Museum in...

By Giuliano de Miranda Twenty-six years after the retrospective dedicated to his work by the Espírito Santo Art Museum Dionísio Del Santo...

Curators interpret the "THRESHOLDS" of the 16th Curitiba Biennial.

The 16th Curitiba International Biennial returns to an in-person format at a time marked by profound technological, social, and environmental transformations. Under the concept...

The Ethnomedia Exhibition proposes new perspectives on indigenous art, which...

At a time when Indigenous art is increasingly present in Brazilian cultural institutions, the third edition of the Indigenous Ethnomedia Exhibition...

Ana Botafogo: "the classical ballerina in the land of football"

Itaú Cultural's exhibition pays homage to the artist who helped popularize classical ballet in Brazil.

La Chola Poblete challenges the system.

In the exhibition La Chola Poblete – Pop Andino, currently on display at MASP, the viewer's gaze is immediately challenged. More than just exhibiting works,...

Pinacoteca revisits the work of Paulo Pedro Leal, an artist who denounced...

Rio de Janeiro, 1950s and 1960s. The "marvelous city" was undergoing changes: it was becoming increasingly gentrified, excluding the people who built it...