Where there is fear there is strength: at Sesc Belenzinho, Nádia...
Nádia Taquary graduated in Literature, but soon embarked on the path of art education. It was during a period of personal retreat that she came into contact...
A river does not exist alone: artists reflect on belonging and interdependence...
In the heart of Belém, the Zoobotanical Park of the Museu Paraense Emílio Goeldi becomes, until December 30th, a territory for listening and coexistence between...
No one can with me: between the wound and the healing
“Nobody can come with me” – a title that borrows the name of a plant that simultaneously protects and poisons – is the...
Contributors #72
MARIA HIRSZMAN is a journalist and art critic. She worked for Jornal da Tarde and O Estado de São Paulo. She is a researcher in history...
The critic's wall
"On this wall are some of the works I keep in my home. I donated others to MAR, the Rio Art Museum." The...
The Biennial whispers but not everyone hears
In its 36th edition, which opened in early September, the São Paulo Biennial reaffirms its role as a disseminator of artistic production that...
EXHIBITION OF AFRICAN LANGUAGES IN BRAZILIAN CULTURE ARRIVES IN VITÓRIA –...
The Vale Museum is one of the main cultural spaces in the state of Espírito Santo and, in its extramural period, it expands its presence in the territory...
Of the spiritual in art
"My paintings are both reality and desire, both learning and imagination. They are a reflection of the environment that formed me and, at the same time, a projection of...
The fury and battles of Niki de Saint Phalle
Visionary, explosive, and revolutionary, Niki de Saint Phalle (1930–2002) turned 20th-century art upside down. Her works, marked by explosions of color...
In its second edition, the Amazon Biennial reverberates the forest
Gateway to the Amazon, a port city marked by the confluence of peoples and cultures, Belém, in Pará, opens itself to art. It is in this...
