the obscene of the image

Not all photography is restorative as intended, for example, the Berlin Biennale, when exhibiting a work with records of prisoners tortured in Abu Ghraib, Iraq
America-Latex

the right to kill

"Necropolitics", by Achille Mbembe, sheds light on the exercise of politics in our own history, marked by slavery and racism

Anthropophagy versus modernism

In the contrast between the two movements, it is important to recover the debate around the visual arts and the memory of Oswaldo Costa, an important critic of culture and art in the second half of the 20s, in São Paulo
Xul Solar, Grafia antica, 1939. Modernism in Hispanic America

Modernism in Hispanic America

In Latin America, modernity arrived belatedly under the pressure of the new and with the desire to affirm a new aesthetic. In Europe the...
In front, "Museu do Homem do Nordeste", by Jonathas de Andrade, in the background works by Candido Portinari, Almeida Junior and Paulo Nazareth. Photo: Levi Fanan / Collection of the Pinacoteca do Estado de São Paulo

Is art without class struggle just decoration?

For some decades, a new ethical position has emerged in artists who work with struggles of groups and communities that are not part of hegemonic systems.

Afro-descendants, the internet and democracy at the end of the tunnel

While this too is a very distant dream, it is much closer than the dream of a golden age. However, the...
Small Manifestation, by Joana Amador and Mariana Lacerda, which was on display at MuBE, in São Paulo

Aesthetic moment and the ethical time of democratic reparation

From different historical occurrences and concepts of psychoanalysis, the author discusses the idea of ​​infinite mourning - common to cases of collective losses - and talks about the need for reparation
black art

Breaking the complicity between the aesthetic and the colonial device: art...

Márcio Seligmann-Silva analyzes narratives about the history of Afro-descendant Brazilian art, which involves a series of traumatic repetitions over time
Vertical, color photo. Portrait of Grada Kilomba

The boycott of Grada Kilomba in the official Portuguese representation of the Bienal...

By Ana Teixeira Pinto* On November 11, 2021, DGARTES (Direção Geral das Artes) announced the result of the competition for the...
Carolina Maria de Jesus in 1960, in a photo for the magazine O Cruzeiro. Photos: Henri Ballot / O Cruzeiro Magazine

The words of Carolina de Jesus

Exhibition "Carolina Maria de Jesus: a Brazil for Brazilians" presents the possibilities of dialogue between literary art by black authors and exhibition spaces beyond a biographical perspective