“Brazilian Stories” reveals 'colonial system' in the arts circuit
"Masp presents an exhibition that criticizes the lack of representation in the history of art, but its own centers of power are white and patriarchal; the institution still exhibits works by its president, ignoring the existence of a conflict of interests", writes Cypriano
Venice Biennale: Dream in the midst of war
59th edition of the oldest art biennial, this time by Italian Cecilia Alemani, makes the inclusion of women artists its main asset
Kassel becomes a barn of exchanges
documenta fifteen, with more than 1.500 artists occupying 39 spaces in the German city, prioritizes solidarity and coexistence as practices in the field of art.
Berlin maps wounds of the world
Lean Biennial with 40 artists, "Ainda Presente", with artistic direction by Kader Attia, prioritizes works with a denunciation character
Exuberant visuals in a critical tone
Fabio Cypriano writes a review of the exhibition “Raio-que o parte: fictions of the modern in Brazil”, at Sesc 24 de Maio
Critique Frestas: political poetics
Frestas - Arts Triennale, at Sesc de Sorocaba, addresses the dramas of the contemporary world in a lyrical way
“Bienal of Hope” romanticizes catastrophes
"It's dark but I sing", at Ibirapuera Park, brings together significant and aestheticizing groups of Brazilian artists, but leaves transgressive activities to the past
2016 | 32nd Bienal de São Paulo: “Bienal is an escape from...
Remember the text by the critic Fabio Cypriano about the 2016 edition, which according to him followed the tradition of the São Paulo event of dealing with the present time above all else
Carlos Motta points out the roots of prejudice and racism in the 21st century
Colombian artist based in New York presents in Vermelho traces of the inquisition and slavery as keys to understanding the current moment
“Vaivém” deals with Brazilian culture beyond art
Exhibition curated by Raphael Fonseca addresses the hammock from multiple perspectives at CCBB
