Laje Collection gains visibility for peripheral production
Present in at least five recent exhibitions, three of which are still on display, the Bahian Acervo da Lage is one of the most original initiatives in...
The labyrinths of Penna Prearo
A arte!brasileiros visited the solo exhibition "Labirintos Revisitados", on display at Sesc Bom Retiro, and spoke with artist Penna Prearo and co-curator Baixo Ribeiro
In Serra do Cipó, Gisele Camargo investigates the cycles of the moon.
Surrounded by waterfalls, canyons, rock formations, and endemic species of the Cerrado biome, Gisele Camargo was invited by the landscape to reflect on the fundamentals of painting....
Festival Arte Serrinha reaches its 20th edition
The event, which takes place until the 30/7, in Bragança Paulista (SP), returns to being in person and expands its programming to the Centro Cultural Teatro Carlos Gomes, with an exhibition until 28/8, and to its new Natural Park, mixing visual arts, music, film and workshops
Museum of Images of the Unconscious opens virtual collective exhibition
The virtual exhibition “Três Artistas de Engenho de Dentro” will be launched on the National Anti-Asylum Struggle Day and features 90 works by Adelina Gomes, Fernando Diniz and Octávio Ignácio
Nazareth Pacheco: creation as a triumph of life
Exhibition "Records/Records", at the Kogan Amaro gallery, condenses the memory work done by the artist throughout her life
Stratagems to resist fascism
With 134 artists and collectives to date (new enlistments are expected throughout its duration, until January 28, 2024), the...
“Divided Picasso”: the artist and his image in communist Germanys...
The Catalan artist is placed in the spotlight by the two Germanys still divided in the Cold War, in a controversial exhibition at the Ludwig Museum in Cologne
Nheë Nheë Nheë, Genealogy of Tropical Leisure
Playful, courageous and existential, Márcio Almeida recommends leisure to reach a truly creative moment
Berlin reduces Hubert Fichte's radicalism
In an ambitious encyclopedic project, the House of Cultures of the World (Haus der Kulturen der Welt) does not treat sexuality and spirituality with the same vigor as the narratives of the German author














