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CONGRESS CUTS 85% OF THE ALDIR BLANC LAW IN THE 2025 BUDGET

The National Congress approved this Thursday, the 20th, the budget bill (LOA) for 2025 (PLN 26/2024). The text, approved three months after the deadline,...

Theater demolished by the City of São Paulo holds hearing at the Legislative Assembly

Destroyed on February 13th by São Paulo City Hall tractors, the Ventoforte Theater is fighting tirelessly to rebuild itself. Next...
In 2023, German artist Boris Eldagsen won the Sony World Photography Awards for a photograph generated with artificial intelligence; Eldagsen declined the honor.

Made by human

According to author Frank Wynne, in his book I Was Vermeer, the Dutch forger Han van Meegeren painted like Johannes Vermeer, more than two...
Kilomba Grada

Back at Inhotim for The Boat – Act II, Grada Kilomba delves deeper into...

Grada Kilomba is the happiest artist in the world. At least that's how she felt after the first performance of O Barco...
Nuno Ramos

Nuno Ramos: 'My career is one of enormous stylistic diversity'

Nuno Ramos, the curious, the intrepid, with a latent energy that translates into matter, returns to Belo Horizonte (MG) in March, in an exhibition at...

Practices to make room for other stories

A critical overview of the thinking of Bonaventure Soh Bejeng Ndikung, curator of the 36th São Paulo Biennial, based on his work at the Casa das Culturas do Mundo, a German institution he has directed since 2023

Benítez writes poetry on the Beaubourg extension

Benítez stands out for placing clay at the heart of his architectural design

Kentridge exposes creative process in masterpiece

On MUBI, the South African artist's series Self-Portrait as a Coffee Pot is a 'hymn to artistic freedom'
Cildo Meireles

'Style is the joy of the market, but the death of the artist'

The recent million-dollar auction of Maurizio Cattelan's Comedian at Sotheby's is a starting point for Cildo Meireles to remember and reflect on his career

Against BANANAlization

Read the editorial of issue #69 of arte!brasileiros, by Patricia Rousseaux