BACON AND MÁRIO DE ANDRADE AT MASP: A WEIRD ENCOUNTER |...
PART TWO Because of the Mário de Andrade exhibition. Two Lives was conceived based on the works collected by the critic, when I went down to...
BACON AND MÁRIO DE ANDRADE AT MASP: A WEIRD ENCOUNTER
PART ONE A few days ago I visited two exhibitions at MASP: “Francis Bacon: the beauty of meat”, curated by Laura Consedey, and “Mário de Andrade....
From Jeca Tatu to Nhô Nito
With the exception of Manoel Querino (1851-1923), intellectuals who wrote about the visual arts during the First Republic started from the following assumption: in Brazil...
About the works and their titles
One day someone should write a book, or even an article, about the titles of works of art. To know if those, for whom today...
Dear Patricia or… This is what art is
In this article, Tadeu Chiarelli uses a document from the French poet Charles Baudelaire (1821-1867), who frequently wrote his criticisms as letters to the editor.
“I’m sorry, Anita dear”
In September 1928, back in São Paulo after five years in Paris, Anita Malfatti came across the city's cultural stagnation. Marasmus...
The modernist lady?
Which led me to read the entire biographical novel by Luiza Lobo, Fábrica de Lies: from Vale do Café to Arco...
'The decolonial turn in Brazilian art': Considerations to stir up the debate
The reading of The decolonial turn in Brazilian art (Editora Mireveja), by Alessandra Simões Paiva –, brought up several questions that, although related to...
Manuel Querino. Because Salvador is not Florence
In the April 1917 issue of Revista do Brasil, Monteiro Lobato began a review of the book Artists Baianos, authored by the man who even...
Petit maître
Art critic and professor Tadeu Chiarelli lists reasons to read the recently released autobiography of sculptor and painter Raphael Galvez
