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"The Raising of Lazarus" (1928), by Anita Malfatti. Courtesy: São Paulo Museum of Sacred Art

“I’m sorry, Anita dear”

In September 1928, back in São Paulo after five years in Paris, Anita Malfatti came across the city's cultural stagnation. Marasmus...
Victor Brecheret, "Acalanto de Bartira" (1954), present at the exhibition "Victor Brecheret and the 2022 Modern Art Week", at Pinakotheke São Paulo. Photo: multiarte_pinakotheke

Pinakotheke presents exhibition on Victor Brecheret and the Modern Art Week

The exhibition houses around 50 works, 12 of which are part of the historic event at the Municipal Theater, in 1922, and presents emblematic works by the sculptor, as well as creations by other modernists; learn more about the institution
flags

“Monument to the Flags”, by Brecheret: the present past

Victor Brecheret's Monument to the Flags, also known as Push-Push and Let Me Push, is over a hundred years old, if we take...
brecheret

Victor Brecheret's sculpture: between tradition and contemporaneity

On the eve of the celebrations of the 100th anniversary of the Week of Modern Art, it is important to reflect on the figure of the Italian-Brazilian sculptor Victor Brecheret (1894-1955),...

Exhibition celebrates 50 years of Edson Queiroz Foundation with old and contemporary works

What do the works of Salvador Dalí and Xico Stockinger have in common? What criteria would unite the works of Adriana Varejão and Sérgio...
bandeirantes monuments

Bandeirantes on the move: between disputes and conciliation

Starting from the 1985 comic book by Luiz Gê, going through the debates that dominated the early 20th century on the "bandeirante epic" and the "Paulista homeland", Tadeu Chiarelli deepens the discussion about the monuments of the city of São Paulo and their symbolisms.