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Tag: work

Horizontal, color photo. View of the ILLUSTRATED WORKERS exhibition, curated by Chico Homem de Melo. On the left and right sides, red panels bear prints of worker illustrations. In the background, in the center, the expansion, by about two and a half meters, of the FABRIL WORKER illustration by Odileia Toscano. In front of him, a long table, which takes the photographer to the panel, brings the original books and magazines, from which the illustrations were taken.

“Illustrated Workers” at Sesc Santo Amaro; Watch the video

Public Relations
With a set of illustrations drawn from literature, journalism, music production and historical, geographical and sociological essays, Trabalhadores Ilustrados offers a...
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EXHIBITION | At MASP, Living Weaving, an exhibition by C EXHIBITION | At MASP, "Living Weaving," an exhibition by Claudia Alarcón and the Silät collective, formed by more than one hundred weavers from the Wichí people, presents 25 handmade works, interwoven using the technique known as yica stitch, from the chaguar, a bromeliad with resistant fibers native to the Gran Chaco, the second largest biome in Latin America. The exhibition is part of the museum's 2026 thematic selection, dedicated to Latin American Histories; in which the notion of Latinity, so plural, becomes the axis of an entire year of exhibitions, culminating in a large eponymous group show in September. 📌For edition #75 of @artebrasileiros, Lara Paiva (@lara.apv) explores some of these exhibitions. Read the full text on the artebrasileiros.com.br website (link in bio).
GWANGJU BIENNIAL | Heloisa Hariadne is one of the five GWANGJU BIENNIAL | Heloisa Hariadne is one of five artists selected to produce new works during a residency at the Brazilian Embassy in Seoul, as part of the first Brazilian Pavilion at the Gwangju Biennial in South Korea, one of the five major biennials in the world, alongside Venice, Documenta, the Whitney Biennial, and Manifesta. The Brazilian pavilion's exhibition, "Devourings of Tomorrow — Brazil in Sprouts," curated by Aldones Nino and Bruna Levi, brings together 35 artists from different generations and regions of the country. Also participating in the residency are artists Vinícius Gerheim, Patrícia Abbott, Isabella Ogêda, and Manauara Clandestina. The Brazilian pavilion will be on display from September 5th to November 15th.
CURITIBA BIENNIAL | At the 16th Curitiba Biennial, the CURITIBA BIENNIAL | At the 16th Curitiba Biennial, the work of Peruvian retablo artist Mabilón Jiménez Quispe occupies an entire wall of the MON (Oscar Niemeyer Museum). Retablo is an art form of medieval European origin that developed in Peru, in the Ayacucho region. The pieces resemble oratories, wooden boxes with hinged doors whose interior reveals everyday scenes executed with meticulous detail, in settings such as bars, grocery stores, and workshops. The figures are traditionally modeled in cooked potato paste and plaster, although pure industrial plaster is also used today. The 16th Curitiba Biennial runs until November 15, 2026.
COURSES | FGV Arte opens registration for training COURSES | FGV Arte is opening registrations for the course “Curatorship: History, Theory and Practice,” which will take place in Rio de Janeiro between August and November 2026. Coordinated by Pollyana Quintella, curator of the Pinacoteca de São Paulo, the course covers the institutionalization of the curatorial field to the issues that permeate it today — decolonial practices, repatriation, shared curatorship, institutional critique — and culminates in a laboratory for the participants' own projects. Confirmed guests include Ana Magalhães (MAC USP), Marcelo Campos (MAR), and Victor Gorgulho (Inclusartiz). There will be 15 in-person meetings, on Thursdays, from 18 pm to 20 pm. Pre-registration via online form. Service 📅 August 13 to November 19, 2026 🕒 Thursdays, from 18 pm to 20 pm | 30 hours of coursework 💰 R$ 2.000 (with the possibility of applying for a scholarship) 📍 Praia de Botafogo, 190, Rio de Janeiro 🔗 Pre-registration via online form (link in the bio of @fgv.arte)
BOOK | With Nolan's Odyssey in theaters, you BOOK | With Nolan's Odyssey in theaters, you can take advantage of the momentum to delve deeper into Homer's journey with the new edition of the poem by Ubu Editora, translated by associate professor Christian Werner and illustrated by artist Odires Mlászho. According to poet and translator Guilherme Gontijo Flores, in an article for Folha de S.Paulo, this is the Brazilian translation that best preserves the original orality of the Greek text. The edition also includes an introduction by the American Homer scholar Richard Martin, an afterword by writer and philosophy professor Luiz Alfredo Garcia-Roza, two appendices: "The Silence of the Sirens" by Franz Kafka, and the poem "Ithaca" by Konstantínos Kaváfis, and a glossary of proper names.
COURSES | FGV Arte opens registration for training COURSES | FGV Arte is opening registrations for the training course “Cultural Management: Advances, Challenges and Perspectives,” which will take place in São Paulo between August and November 2026. Coordinated by Regina Pacheco (FGV EAESP) and Fausto Arruda (Fundação Osesp / FGV EAESP), the course addresses the professionalization of managers in the cultural sector, the model of Social Organizations of Culture, and the challenges faced by those who manage public facilities and cultural entities — in a context where the creative economy already accounts for 5,2% of São Paulo's state GDP. The program, which includes visits to cultural spaces, will have 15 in-person meetings, on Tuesdays, from 18 pm to 20 pm. Pre-registration must be done via an online form. Service 📅 August 11 to November 17, 2026 🕒 Tuesdays, from 18 pm to 20 pm | 30 hours of coursework 📍 São Paulo: Rua Itapeva, 432 - Bela Vista 💰 R$ 2.000 (with the possibility of applying for a scholarship) 🔗 Pre-registration via online form (link in the bio of @fgv.arte)
EXHIBITION | "Freedom: a plural neighborhood", on display EXHIBITION | "Liberdade: Bairro Plural" (Liberty: A Plural Neighborhood), on display at the Museu do Ipiranga, chose to address the history of the Liberdade neighborhood through the institutions that occupied it over time, "including those that are no longer in the neighborhood and were forced to leave by political movements, basically," explains curator Paulo Garcez Marins. This happened with the Frente Negra Brasileira (Brazilian Black Front), perhaps the most surprising revelation of the exhibition. The research conducted by Garcez, Mônica Raisa Schpun, Aline Montenegro Magalhães, Francisco Andrade, and David Ribeiro concluded that the Frente Negra Brasileira operated where the Casa de Portugal building is located today and left no archives, as did the Liga Itálica (Italian League), which closed in 2010 and whose presence was also practically erased from history. "These are institutions that, in some way, fulfilled their role, but whose lives were also cut short," says Garcez. 📌Read the full text by Jotabê Medeiros (@jotabemedeiros) on the website artebrasileiros.com.br (link in bio). #liberdade #bairrodaliberdade #museudoipiranga #frentenegrabrasileira
BIENNIAL | The Gwangju Biennial in South Korea will BIENNIAL | The Gwangju Biennial in South Korea will feature a Brazilian pavilion for the first time. The exhibition "Devouring Tomorrow — Brazil in Rebirth," curated by Aldones Nino and Bruna Levi, brings together 35 artists from different generations and regions of the country at the Gwangju History & Folk Museum, from September 5th to November 15th, 2026. Anchored in anthropophagic thought, the project proposes devouring as a critical operation in the face of contemporary crises — and dialogues with the theme of this 16th edition, "You Must Change Your Life," under the artistic direction of Ho Tzu Nyen. Swipe the images to the side and meet the participants! SERVICE 📍 Gwangju History & Folk Museum — 48-25 Seoha-ro, Buk-gu, Gwangju, South Korea 🗓️ From September 5th to November 15th, 2026 🕒 Daily, 9 AM to 18 PM | Wednesdays, 9 AM to 20 PM 🎟️ Free admission Images 1 Brazilian Pavilion 2 Xadalu Tupã Jekupé 3 Maria Lira Marques 4 Heloisa Hariadne 5 Sara Ramos
CULTURE | There's a curious fact about colored ants CULTURE | There's a curious fact about leafcutter ants: despite their small size, they can transport leaves, bark, branches, and plant fragments that weigh dozens of times more than their own bodies. The feat is impressive for its strength, but also for its organization. In Barbalha, in southern Ceará, this principle is repeated on a human scale annually. Under a sun exceeding 30º Celsius, about 200 men carried a 23-meter-long, three-ton angico tree trunk along a seven-kilometer route, from Sítio São Joaquim to the city's Historic Center on May 31st. 📌Read the full text by Bibiana Belisário (@bibianabelisario) on the website artebrasileiros.com.br (link in bio) 📸Photos by Samuel Macedo (@samuelmacedo_fotografo)
Brazilian art
Following the solid editorial line of the magazines Brasileiros, CULTURA!Brasileiros and ARTE!Brasileiros, the portal ARTE!Brasileiros privileges, in a digital environment, analyses, opinions, reports, articles and beautiful images, maintaining, as always, the care with the reader, with a special space dedicated to videos. You will have access to interviews with experts in contemporary art, behavior, education, literature, philosophy, psychoanalysis, politics and technology.  

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