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Horizontal, color photo. View of the ILLUSTRATED WORKERS exhibition, curated by Chico Homem de Melo. On the left and right sides, red panels bear prints of worker illustrations. In the background, in the center, the expansion, by about two and a half meters, of the FABRIL WORKER illustration by Odileia Toscano. In front of him, a long table, which takes the photographer to the panel, brings the original books and magazines, from which the illustrations were taken.

“Illustrated Workers” at Sesc Santo Amaro; Watch the video

With a set of illustrations drawn from literature, journalism, music production and historical, geographical and sociological essays, Trabalhadores Ilustrados offers a...

The transient character of things

Active since the 1980s, Carlito Carvalhosa demonstrated a permanent desire to subtly transform our apprehension of what surrounds us; he artist passed early, at the age of 59, and leaves an important legacy of interventions in national and international institutions

The triennial in progress

In the midst of a pandemic and political crisis context, what are the curatorial and exhibition possibilities? This was one of the questions that...
Horizontal, color photo. Installation A SOMA DOS DIAS, by Carlito Carvalhosa, at the Museum of Modern Art in New York in 2011

Carlito Carvalhosa: the transitory character of things

The premature death of Carlito Carvalhosa last May, at the age of 59, aroused a strong feeling of sadness and impotence, expressed in...

An ongoing triennial

In the midst of a pandemic and political crisis context, what are the curatorial and expository possibilities? That was one of the questions that guided...
Horizontal, color photo. View of the MIRROR COUNTRIES exhibition. In the foreground, sculptures of animals, some colored, in wood, others in straw. In the background, a mural with capulanas and fabrics from different regions of Angola, Mozambique, Guinea Bissau, São Tomé and Principe, Cape Verde and Brazil. Kazuo Kajihara's photo.

“Mirrored Countries”, at Sesc Consolação, shows cultural encounters between Brazil and African nations of...

The piassava palm straw weaves on the north coast of Bahia create a clear dialogue with the basketry made on the north coast of...

With “Extinction is forever”, Nuno Ramos seeks a multilingual answer to the Brazilian situation

In memory of everyone who lost their lives in the pandemic, a flame was lit this week at Sesc Avenida Paulista. A small zippo lighter,...

Infinito Vai: a unique approach to the history of Brazilian architecture

Infinito Vai: 90 years of Brazilian Architecture, at Sesc 24 de Maio, subverts any concept of exhibition of the genre. Scenic, without being theatrical, has...

Watch the video about “Overflowing: transgressions of embroidery in art”, at Sesc Pinheiros

If during the Middle Ages "textile arts enjoyed an important place in the artistic pantheon", it was in the Renaissance that they became...
Kader Attia - irreparable repairs

Watch the video about the exhibition “Irreparáveis ​​Reparos – Kader Attia”, at Sesc Pompeia

The son of an Algerian father and a Berber mother, Kader Attia is one of the most recognized French artists of his generation. He grew up in Algeria and...