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“Modern Where? Modern When?”: Aracy Amaral and Regina Teixeira de Barros talk about exhibition...

A arte!brasileiros visited the exhibition, on view until December 2021, and talked with the curators to understand more deeply the proposed concepts and reflections; Watch the video
mountain man

Monteiro Lobato art critic. Again [or yet]

Tadeu Chiarelli discusses Lobato's art criticism from a broader context than the São Paulo scene of 1917, bringing other data to reflect on the writer's performance
Botafogo Bay, 1928, by Ismael Nery, ink and watercolor on paper. Collection of the Murilo Mendes Art Museum.

A centenary passing in white clouds

A look at the friendship between Ismael Nery and Murilo Mendes, which began in 1921, demonstrates that there is still much to be studied and written about the particular development of surrealism in Brazil.

Tupy or not Tupy that is the question

Exhibition by Tarsila do Amaral at MoMA and the idea that Brazilian modernism must be understood from its own history and from an independent perspective