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Guanabara Bay, by Ismael Nery

Rethinking Modernism from the Week of 1922

Centenary celebrated this year broadens the debate on the vanguards, relativizes the centrality of the São Paulo event and stimulates discussion about the unfolding and effects of movement in time and space
Debret's Traumatic Updates, 2019-2021, Ge Viana

Where to find Brazilianness after the modern ones?

CCBB traveling exhibition arrives in São Paulo with works by 51 artists; "Brasilidade Pós-Modernismo" wants the public to notice, observe and notice so that an innovative discussion about Brazilian Modernism comes to light, meeting the demand of our time
Botafogo Bay, 1928, by Ismael Nery, ink and watercolor on paper. Collection of the Murilo Mendes Art Museum.

A centenary passing in white clouds

A look at the friendship between Ismael Nery and Murilo Mendes, which began in 1921, demonstrates that there is still much to be studied and written about the particular development of surrealism in Brazil.