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Home Tags RX & Slag Galleries

Tag: RX & Slag Galleries

Horizontal, color photo. Julio Villani wears a white shirt and a gray coat. He is in his studio, surrounded by some works and a parrot.

the sensitive shape

Artist
Established in Paris since the 1980s, Julio Villani debuts website and opens solo exhibition at Chelsea in New York
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STORIES FROM THE CRITICISM | Tadeu Chiarelli has a chapter STORIES OF CRITICISM | Tadeu Chiarelli possesses a rare ability to reconcile historical research with direct contact with contemporary artistic production, coupled with intense activity in the exhibition and academic circuit. A precise illustration of this broad, pendulum-like movement is the author's publication of two seemingly distinct books, less than a month apart, at the end of last year. In an interview for @artebrasileiros, Tadeu Chiarelli discusses the publications 'Appropriations' and 'Brazilian Art', analyzes the dialogue between past and present in art, and the role of the art critic and historian. 📌Read the full text by Maria Hirszman (@mariahir) for issue #73, which is exceptionally open to all readers, via the link in the bio (@artebrasileiros).
TRIBUTE | We regret the passing of the artist co TRIBUTE | We regret the passing of Colombian artist Beatriz González, which occurred last Friday, January 9th, at the age of 93. Currently on display at the Pinacoteca de São Paulo, the exhibition "Beatriz González: The Image in Transit" brings together more than one hundred works and now presents itself as an opportunity for the public to get to know up close the breadth and versatility of a fundamental trajectory in Latin American art. Fabio Cypriano (cypriano) wrote about the exhibition for issue #72 of @artebrasileiros. The text is available to arte✱plus contributors, who have access to our four digital magazines per year. 📌Visit the website artebrasileiros.com.br. Happy reading! Photo 1: Galerie Peter Kilchmann Photos 2 and 3: Levi Fanan Photo 4: Fabio Cypriano
PHOTOGRAPH | European institutions identify the PHOTOGRAPHY | European institutions are identifying the need to change protocols for the maintenance, exhibition, storage, and preservation of historical or artistic photographs as cases of deterioration due to global warming increase. We spoke with Anita Bools, Senior National Curator of Paper and Photography at the National Trust in the United Kingdom, who follows with particular interest the issues of the effects of climate change on photographic collections. The National Trust participated in two panels at COP30, the Climate Conference, in Belém: Culture at the Heart of Climate Policy and Action - A Collective Effort (Mutirão) and Cultural Power for Climate Action: Storytelling, Heritage & the Creative Industries. 📌Read the full text by Jotabê Medeiros (@jotabemedeiros) for issue #73, which is exceptionally open to all readers, via the link in the bio (@artebrasileiros). Image 1: Self-portrait by photographer Edward Hardman (cellulose nitrate negative) Image 2: Modern color prints drying after being washed again following the flood at Avebury Manor. Photo by Anna Barnes
REVIEW | The 36th São Paulo Biennial comes to an end REVIEW | The 36th São Paulo Biennial comes to an end this weekend. For four months, visitors to the exhibition had access to a wide selection of poetics, places, and authors from afar. The full text by Maria Hirszman (@mariahir) is part of issue #72 of @artebrasileiros, and is exclusive to arte✱plus contributors, who have access to our four digital magazines per year. Support one of the most recognized contemporary art and culture platforms in Brazil. 📌Visit the website artebrasileiros.com.br. The direct link is in the bio. Enjoy your reading! Photos 1 and 4: Levi Fanan / Photo 2: Daniel Yazbek / Photos 3: Coil Lopes
FRANCE-BRAZIL SEASON | “In my work, in my FRANCE-BRAZIL SEASON | “In my work, in my life as an artist, I am as fascinated by the immobility of photography as by the movement of cinema,” said Agnès Varda. The slippage between the photographic instant and the filmic flow, fundamental to her work, is one of the central focuses of the exhibition on display at the Instituto Moreira Salles (IMS), as part of the France-Brazil Season program. Bringing together 200 photographs – many of them never before seen – the initiative not only rescues Varda the photographer, a lesser-known side of the acclaimed filmmaker, but also shows how her production is connected to contemporary issues. “She is interested in the artistic possibilities of photography,” says João Fernandes, artistic director of the IMS and curator of the exhibition alongside Rosalie Varda, Agnès' daughter and partner. 📌Read the full text by Maria Hirszman (@mariahir) for issue #73, which is exceptionally open to all readers, via the link in the bio (@artebrasileiros). Captions: 1. Self-portrait in the studio with her camera, Rue Daguerre, Paris, 1956 2. Mardi Gras [Carnival Tuesday], Luxembourg Gardens, Paris, 1953 3. At the 2003 Venice Biennale, which she visited ironically dressed as a potato 4. Yangtze River Boatmen, 1957, China.
ARCHIVE | Efrain Almeida, who died prematurely in 2 ARCHIVE | Efrain Almeida, who died prematurely in 2024, is one of the most recognized names in Brazilian contemporary art. A native of the Canindé region of Ceará, he is not represented in the collection of the Pinacoteca do Ceará, which opened three years ago by bringing together various public collections. Efrain's absence from the Pinacoteca led to a special tribute in the exhibition "Parallel Existences – Collection in (De)construction," conceived to rethink a public collection. Featuring 484 works by 63 artists from Ceará with local and national recognition, both popular and contemporary, historical and unknown, the exhibition is divided into five modules. 📌Read the full text by Fabio Cypriano (@cypriano) for issue #73, which is exceptionally open to all readers, via the link in the bio (@artebrasileiros) Image 1 Efrain Almeida, 2020, "Head in Trance with Tears of Our Lady". Photo: Marília Camelo | Pinacoteca do Ceará Image 2 View of the exhibition “Parallel Existences - Collection in (De)construction” Image 3 View of the exhibition “Parallel Existences - Collection in (De)construction” Image 4 Telma Saraiva, 1970s, "Flash with wreath, Ernesto dressed as a bride and Ernesto dressed as a groom"
EXHIBITION | The exhibition José Antônio da Silva: Painting EXHIBITION | The exhibition José Antônio da Silva: Painting Brazil, curated by Gabriel Pérez-Barreiro, has already been shown at the Grenoble Museum in France, as part of the Brazil-France Season 2025, and at the Iberê Camargo Foundation in Porto Alegre. Now, more than one hundred paintings by the artist are on display at the Museum of Contemporary Art of USP. Pérez-Barreiro emphasizes that the works do not intend to offer a chronology or a retrospective of the artist, but rather to explore the different themes of his work and how Silva chose to portray them over the decades. 📌Read the full text by Lara Paiva (lara.apv) on the website artebrasileiros.com.br (link in bio)
EXHIBITION | Until February 22nd, Sesc Bele EXHIBITION | Until February 22nd, Sesc Belenzinho presents the exhibition “Ònà Irin: railway path”, a solo show by the artist Nádia Taquary. Curated by Amanda Bonan, Ayrson Heráclito, and Marcelo Campos, the exhibition premiered at the Rio Art Museum (MAR) in 2023 and was on display at the National Museum of Afro-Brazilian Culture (MUNCAB) in Salvador until March of this year. The exhibition brings together 22 works produced at different moments in the artist's career, who began her journey in 2010 researching Afro-Brazilian jewelry, especially the balangandãs (beaded ornaments). 📌A arte!brasileiros [The following is a translation of the Portuguese text:] interview with Taquary and the full text is available on the website artebrasileiros.com.br (link in bio) By Luiza Lorenzetti (@luiza.lorenzetti) Photo 1: Thales Leite Photos 3-5: Luiza Lorenzetti Photo 2: Beatriz Franco Photo 6: Levi Fanan
EXHIBITION | Between land and sea, the mangrove is... EXHIBITION | Between land and sea, the mangrove is a place of transition. From Oiapoque, in Amapá, to Laguna, in Santa Catarina, mangroves can be found almost all along the Brazilian coast. This ecosystem shelters life forms that thrive amidst instability, and its importance is tremendous, as it protects the coast from erosion and extreme weather events. Now, the mangrove has become a starting point for reflection on the interdependencies between humans, nature, and culture in the exhibition Mangrove, on display at the Banco do Brasil Cultural Center in Rio de Janeiro (CCBB RJ), curated by Marcelo Campos, a researcher of Brazilian identities with a solid career in contemporary art. arte!brasileiros Luiza Lorenzetti spoke with the curator and the artist Azizi Cypriano, who presents a new work commissioned for the exhibition. Read the full text by Luiza Lorenzetti (@luiza.lorenzetti) on the website artebrasileiros.com.br (link in bio). SERVICE 📍CCBB RJ: Rua Primeiro de Março, 66 – 2nd floor, Centro – Rio de Janeiro / RJ 🗓️On display until February 2, 2026 ⏰Visiting hours: Wednesday to Monday, from 9 am to 20 pm 🎟️Free admission Image 1: Photo by Enrico Marone. Image 2: Uýra Sodoma, Chaos, from the series A Thousand [almost] Dead, 2018. Photo: Matheus Belém. Image 3: Ayrson Heráclito, Bori (Nanã). Image 4: Uýra Sodoma, Fire, from the Elemental Series, 2018. Photo: Matheus Belém. Image 5: Azizi Cypriano, still from the performance Movimento-grafia 10. Image 6: Azizi Cypriano and Laryssa Machada, Avoiding Erosion, 2025. Image 7: Gabriel Haddad and Leonardo Bora, Grande Rio float, 2025.
Brazilian art
Following the solid editorial line of the magazines Brasileiros, CULTURA!Brasileiros and ARTE!Brasileiros, the portal ARTE!Brasileiros privileges, in a digital environment, analyses, opinions, reports, articles and beautiful images, maintaining, as always, the care with the reader, with a special space dedicated to videos. You will have access to interviews with experts in contemporary art, behavior, education, literature, philosophy, psychoanalysis, politics and technology.  

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