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Lenora de Barros FIRE NO OLHO, exhibited at the Pinacoteca

Lenora de Barros: Synthesis of a plural production

Curated by Pollyana Quintella, the exhibition focuses on works that discuss the relationship between body and language and runs until April 2023
Ana Maria Maia, new chief curator of the Pinacoteca

Pinacoteca announces its new chief curator

Ana Maria Maia from Pernambuco will assume the position in September, when she will also be responsible for the panorama of Jonathas de Andrade
Art and the population deprived of liberty. Illustration by visual artist, comic book artist and zine artist Line Lemos.

Contact with art provides respite for the population deprived of liberty

Activities related to art and culture promote positive transformations in those who go through a hostile prison system, but the challenge of guaranteeing the right to culture of the population deprived of liberty remains great
adriana varejao

Adriana Varejão’s exhibition at the Pinacoteca brings together works produced from the 1980s to today

Presenting a broad panorama of the career of Adriana Varejão, one of the most outstanding Brazilian artists of the last decades, the exhibition Suturas, Fissures, Ruínas occupies a vast space in the Pinacoteca do Estado de São Paulo until...
john graz

Beyond the Week of 22

Expansion of the debate on Brazilian modernism guides exhibitions in large institutions, highlighting the role of decorative and applied arts and the production of names such as John Graz and the Gomide brothers
john graz

Estação Pinacoteca presents work by the modernist John Graz

Exhibition "John Graz: tropical and modern idyll" mainly highlights the production in the visual arts of the Swiss artist, based in Brazil, who was also a designer, architect and illustrator

The last great modern architect in Brazil

After his death, arte!brasileiros recalls an interview with Paulo Mendes da Rocha in 2016, in which the architect made it clear that, more than a specialist, the architect must be a thinker of the world, attentive to human needs and desires

José Damasceno and Mona Lisa's smile

It gives certain relief to enter José Damasceno's exhibition, Moto-continuo, at Estação Pinacoteca, in such an unfavorable context, when the CPI unveils all the preposterous acts of a government that contributed to the...
Horizontal, color photo. View of the MOTO-CONTÍNUO exhibition, by José Damasceno, at Estação Pinacoteca. In the background, SOUNDTRACK, which with hundreds of hammers hanging from nails on the wall, creates the representation of mountains. In front, several columns of the building's structure. Among them, you can partially see two works by José Damasceno. Right, SNOOKER, left lower work, at ground level.

José Damasceno and the Mona Lisa smile

It gives a certain relief to enter José Damasceno's exhibition, Continuous motion, at Estação Pinacoteca, in such an unfavorable context, when a CPI reveals all the bizarre acts of a government that collaborated to...

Paulo Mendes da Rocha: Brazil's last great modern architect

After his death, the arte!brasileiros recalls an interview given by Paulo Mendes da Rocha in 2016, in which the architect made it clear that, more than a specialist, the architect must be a thinker of the world, attentive to human needs and desires