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Jochen Volz

As it celebrates its 120th anniversary, Pinacoteca focuses on diversity and silenced narratives

In 1905, after the transfer of 20 works from the Museu Paulista at USP and the acquisition of six paintings by artists from São Paulo –...

The surreal as a counterpoint to the neoliberal

Renata Lucas' exhibition at Estação Pinacoteca reviews 20 years of the artist's work and highlights hallmarks of her poetics such as the subversion of spaces and the need for negotiation
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A conversation with Antonio Obá

The artist, whose Revoada exhibition is on display at Pinacoteca Contemporânea, transcends painting, sculpture and installations to conceive images of suspended bodies and children, sometimes ghostly
Regina Parra, "Deserto-pano de cena" (2022-2023), work from the exhibition "Pagã", at Pina Estacão. Photo: Christina Ruffato

Regina Parra mixes visual and scenic arts in an exhibition that alludes to Clarice Lispector...

On display on the second floor of Pina Estação, the exhibition Pagã, by Regina Parra, is as multi-referential as the artist herself, who, from 2000 to...
Caravan Museu do Homem do Nordeste, by Jonathas de Andrade, in the exhibition "O rebound of the boat"

Jonathas de Andrade and the ambiguity of meetings

Completing 40 years of life and 15 of his career, the Alagoan opens solo panoramic at Pinacoteca Station, in São Paulo; we talked to the artist about the moment and the concepts that permeate his artistic practice
Lenora de Barros FIRE NO OLHO, exhibited at the Pinacoteca

Lenora de Barros: Synthesis of a plural production

Curated by Pollyana Quintella, the exhibition focuses on works that discuss the relationship between body and language and runs until April 2023
OGUM, from the series Offering to the head, by Ayrson Heráclito, exhibited in YORÙBÁIANO

“Yorùbáiano”, solo show by Ayrson Heráclito, arrives at the Pinacoteca de São Paulo

Articulating diverse cultures that arrived in Brazil from the African diaspora, a unique amalgam of ancestral knowledge, teachings, rites and worldviews...

The transient character of things

Active since the 1980s, Carlito Carvalhosa demonstrated a permanent desire to subtly transform our apprehension of what surrounds us; he artist passed early, at the age of 59, and leaves an important legacy of interventions in national and international institutions
Horizontal, color photo. Installation A SOMA DOS DIAS, by Carlito Carvalhosa, at the Museum of Modern Art in New York in 2011

Carlito Carvalhosa: the transitory character of things

The premature death of Carlito Carvalhosa last May, at the age of 59, aroused a strong feeling of sadness and impotence, expressed in...

Pinacoteca opens an exhibition by Fayga Ostrower, one of the pioneers of abstract engraving

A distinguished engraver, painter, illustrator, theorist and teacher, Fayga would have turned 2020 in XNUMX and has a retrospective exhibition at Estação Pinacoteca