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"The Raising of Lazarus" (1928), by Anita Malfatti. Courtesy: São Paulo Museum of Sacred Art

“I’m sorry, Anita dear”

In September 1928, back in São Paulo after five years in Paris, Anita Malfatti came across the city's cultural stagnation. Deceitful doldrums, so to speak, similar to that which also seemed to prevail there in...
Horizontal, color photo. MASSACRE IN KOREA by Pablo Picasso, exhibited in Picasso divided

“Divided Picasso”: the artist and his image in communist and capitalist Germany

The Catalan artist is placed in the spotlight by the two Germanys still divided in the Cold War, in a controversial exhibition at the Ludwig Museum in Cologne

Segall and Picasso; allegory and decisive moment; painting and photography

In view of the discussions on modernism and the Modern Art Week of 1922, an issue that remains outside the debate concerns the use that painters of modernism made of...