Miguel Groisman is a journalist graduated from Faculdade Cásper Líbero. Since his graduation, he has researched memory in photography, photojournalism and cinema.
In 2019, he published “Documenting HIV/AIDS: The construction of imagistic identities through World Press Photo award-winning photographs since the 1990s”, together with critic Simonetta Persichetti. Currently, Groisman is a reporter for arte!brasileiros, where he contributes to its digital platform as well as to the print edition of the magazine. Among the articles found in the volumes of arte!brasileiros, there are articles about filmmaker Steve McQueen, conflict photographer Peter van Agtmael, artist Emily Jacir, interviews with Gideon Mendel and Munemasa Takahashi – responsible for the “Tsunami, Photographs and Then” project. Other pieces published in this magazine include an investigation into the relationship between art and artificial intelligence and a reflection on how memes help to democratize the art world.
In 2021, Miguel Groisman also became a contributor to the magazine Aperture, specialized in photography.
