Facebook Instagram X WhatsApp Youtube
  • AGENDA
  • ACQUISITION
  • OPINION
  • SEMINARS
  • MAGAZINE EDITIONS
  • arte✱plus – MY ACCOUNT
Search
Log in
Welcome! Sign in to your account
Forgot your password? ask for help
Privacy
Recover password
Recover your password
A password will be e-mailed to you.
Brazilian art Brazilian art ARTE!Brasileiros
  • AGENDA
  • ACQUISITION
  • OPINION
  • SEMINARS
  • MAGAZINE EDITIONS
  • arte✱plus – MY ACCOUNT
Facebook Instagram X WhatsApp Youtube
Home Tags Mauricio Lima

Tag: Mauricio Lima

Mauricio Lima

Remember: Interview with Mauricio Lima, first Brazilian to win a Pulitzer

Photography
By: Simonetta Persichetti In the year of its centenary, the Pulitzer Prize has, among its winners, the Brazilian photographer Mauricio Lima, freelancer for The New...
Read more
EXHIBITION | Brazil is the only country named after EXHIBITION | Brazil is the only country named after a tree. From the heartwood of the Brazilwood tree, brasilin is extracted, a substance that, in contact with air and light, transforms into an intense red pigment, the color of embers. The same reaction that produces the crimson hue, however, reveals the suffering of the species subjected to drastic pruning and violent cuts. It is from this ambivalence, in which wealth and devastation are born from a single gesture, that Brasilina: Poetics of a Motherland Nation originates, on display at the SESI Cultural Center Gallery in Jardim da Penha, Vitória, until October 31st. Organized by Decoranea and the 1COMUM Collective, the exhibition was conceived by Isabela Castello and Fernando Caseira Nicolau, curated by Isabela and Isabel Portella, and produced by Elaine Pinheiro. The works, from different cities and generations, are organized into three themes: Identity, Nature, and Society. 📌Read the full text by Giuliano de Miranda (@giuliano.2803) on the website artebrasileiros.com.br (link in bio) Images: 1 and 2 Handerson Chic, untitled (Diptych/Motherland Nation) 3 Patrick Vasconcelos, Stubbornness Made the Penha Neighborhood Emerge, 2026 4 Marcelo Macaue, Quilombo Kalunga Series 5 Evna, Phytotypes Series (portraits on leaves) 6 Marilene Nacaratti, Cosmographers, 2026 Photos: Fabíola Fraga
CULTURE | New York Mayor Zohran Mamdani CULTURE | New York City Mayor Zohran Mamdani announced that project grants awarded to individual artists by the city's Department of Cultural Affairs will increase from $5 to $10, the first increase in nearly twenty years. The department's budget for 2027 is the largest in the city's history. “$5 is simply not enough money to complete a project. The last thing we want is for artists to go into debt to finish a work because of a grant,” said Diya Vij, Commissioner of Cultural Affairs, to ARTnews. A January report from the Center for an Urban Future indicated that the population of resident artists in New York City has fallen by 4,4% since 2019. The measure is part of a series of actions. Swipe through the cards to learn more! #ny #arts #zohranmamdani
EXHIBITION | To learn to see, air intelligence EXHIBITION | To learn to see, artificial intelligence needs human eyes. It is this juxtaposition, made of work, classification, resource extraction, and surveillance, that “The World Through AI,” at Sesc 24 de Maio, brings into focus. With approximately 70 works by 29 artists from various countries, the exhibition, organized by the Jeu de Paume in Paris and curated by researcher Antonio Somaini, does not intend to explain the technical workings of artificial intelligence nor celebrate its achievements: it looks at AI as a historical, political, and cultural phenomenon: a contemporary way of organizing the world and deciding what can be seen, recognized, classified, or discarded. 📌Read the full text by Leonor Amarante (@amaranteleonor), which is part of issue #76 of the magazine, on the website artebrasileiros.com.br (link in bio). The publication is exclusive to arte✱plus contributors, who have access to our four digital and/or physical magazines per year, in addition to exclusive benefits. Support one of the most recognized contemporary art and culture platforms in Brazil.
BIENNIAL | Manauara Clandestina presents “The Cobra G BIENNIAL | Manauara Clandestina presents “A Cobra Grande” (2026) at the Brazilian Pavilion of the 16th Gwangju Biennial in South Korea. The textile installation, developed in collaboration with her brother Henrique de Farias, stems from an experience of migration and reunion between the two. Born in Manaus and sons of missionary pastors, the siblings had their first contact with art in Pentecostal church services—singing, dancing, theater. The piece was conceived along a journey connecting the AiR 351 residency in Cascais, the Tropismo residency in Seoul, and the pavilion in Gwangju, incorporating the very transit between territories as part of its language. The exhibition “Devotions of Tomorrow — Brazil in Sprouts,” curated by Aldones Nino and Bruna Levi, brings together 35 Brazilian artists from different generations and is on display until November 15th at the Gwangju History & Folk Museum. SERVICE 📍Gwangju History & Folk Museum — Gwangju, South Korea 📆From September 5th to November 15th, 2026
In 2025, during the 23rd Flip (Paraty International Literary Festival), Marina Silva spoke about... In 2025, during the 23rd Flip (Paraty International Literary Festival), Marina Silva spoke about persistence. She didn't call herself optimistic or pessimistic: she called herself persistent. Today, after an election that is reshaping the Brazilian political landscape, we revisit that statement: Art is persistence. Life is persistence. Politics is persistence. We insist on democracy and possible futures. The conversation, moderated by @alinemidlej, is available in its entirety on the @flip_se channel.
What kind of Brazil do we want to build? For the psychologist What kind of Brazil do we want to build? For psychoanalyst Christian Dunker, the image of the abyss arises spontaneously when we think about Brazil and the history of its democracy, "as an index of inequality, as the fruit of a colonization marked by an abyssal relationship, a relationship in which passage from one side to the other is forbidden." It is necessary to think about reparation strategies to reinvent the country. In 2022, Dunker spoke about this at the panel "The Abyss and the Stitching" of the "Culture, Democracy and Reparation Seminar," promoted by [organization name missing]. arte!brasileiros And by Sesc São Paulo. Let's reclaim this discourse now, after the election of a Senate that distances us from the democratic ideals we defend. ✚ Access artebrasileiros.com.br/vii-seminario #Psychology #Psychoanalysis #Democracy #Culture #SescSP
POLITICS | "Don't get discouraged, folks": During the Party POLITICS | “Don’t be discouraged, people”: During the Paraty International Literary Festival in July of this year, Supreme Court Justice Cármen Lúcia participated in panel 10, “State of Siege, State of Being”. “It is necessary that we guarantee that we will continue democratically in the fight for Brazil,” she stated. The event can be watched in its entirety on the @flip_se YouTube channel.
AGENDA | We've selected some exhibitions for you AGENDA | We've selected some exhibitions for you to enjoy this weekend in São Paulo. To see our complete agenda of exhibitions across Brazil, visit artebrasileiros.com.br/agenda #whattodoinSP #contemporaryart #museums #exhibition #holidayinSP
EXHIBITION | The Imperial Palace presents “Thickness” EXHIBITION | The Paço Imperial presents “Matagal”, an exhibition by Louise Ganz that brings together paintings created from her experience in the Serra do Espinhaço mountain range in Minas Gerais. The series originates from the artist's walks through rocky fields, iron ore deposits, and riparian forests, and draws on references from literature, art history, and aerial images produced by satellites and geoinformation platforms. The title refers to the thicket as that which grows outside of order and domestication, vegetation that occupies crevices, abandoned lands, and areas marked by human action. The works reflect on extractivism, environmental crisis, and regeneration, proposing other ways of perceiving and inhabiting the landscape. SERVICE 📍 Paço Imperial — Praça XV de Novembro, 48, Centro, Rio de Janeiro 🗓️ On display until November 22, 2026 🕒 Tuesday to Sunday and holidays, 12pm–18pm 🎟️ Free admission
Brazilian art
Following the solid editorial line of the magazines Brasileiros, CULTURA!Brasileiros and ARTE!Brasileiros, the portal ARTE!Brasileiros privileges, in a digital environment, analyses, opinions, reports, articles and beautiful images, maintaining, as always, the care with the reader, with a special space dedicated to videos. You will have access to interviews with experts in contemporary art, behavior, education, literature, philosophy, psychoanalysis, politics and technology.  

Newsletter

Sign up for our newsletter

Links

Subscribe to arte✱plus

About Us

WhatsApp

Contact

Sitemap
  • Facebook
  • Instagram
  • Twitter
  • Youtube
© 2026 arte!brasileiros
X