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BACON AND MÁRIO DE ANDRADE AT MASP: A WEIRD ENCOUNTER | Part two

PART TWO Because of the Mário de Andrade exhibition. Two Lives was conceived based on the works collected by the critic, when I went down to the MASP basement to visit it, I was eager to see some of them again...
View of the exhibition Francis Bacon: the beauty of meat

BACON AND MÁRIO DE ANDRADE AT MASP: A WEIRD ENCOUNTER

PART ONE A few days ago I visited two exhibitions at MASP: “Francis Bacon: the beauty of meat”, curated by Laura Consedey, and “Mário de Andrade. Two lives”, curated by Regina Teixeira de Barros. While...
Amácio Mazzaropi in "Jeca Tatu" (1959)

From Jeca Tatu to Nhô Nito

With the exception of Manoel Querino (1851-1923), intellectuals who wrote about the visual arts during the First Republic started from the following assumption: a branch of European art was developing in Brazil. Some would try to propose or detect...
"The Raising of Lazarus" (1928), by Anita Malfatti. Courtesy: São Paulo Museum of Sacred Art

“I’m sorry, Anita dear”

In September 1928, back in São Paulo after five years in Paris, Anita Malfatti came across the city's cultural stagnation. Deceitful doldrums, so to speak, similar to that which also seemed to prevail there in...
anita

Notes on the Group of Five: a hint of melancholy in the centenary of the Week

Group of Five is a drawing that Anita Malfatti produced in the second half of 1922, a few months after the Modern Art Week. In it, the artist, in addition to portraying herself lying on...

carving in time

New film by Lauro Escorel profiles masters of Brazilian photography and dives into the making of the image
Anita Malfati

Female sexualization in Brazilian plastic arts

1. WOMAN'S SEEM Anita Malfatti became known from a canvas painted in 1916 and exhibited in Paris, called A Boba. Anita was born in 1889, the year of the proclamation of the Republic, just a year later...