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At Galeria Estação, “Reversos e Transversos” seeks to dissolve the dichotomy between popular and erudite art
Curated by Ayrson Heráclito, the exhibition establishes parallels between popular artists segregated by the art system and established names, with whom they maintain approximations, in different biennials, over seven decades
Due to a lack of professors, the Visual Arts course at the School of Communications and Arts (ECA) at the University of São Paulo canceled 11 subjects one week before the start of classes for the semester, due to the revocation...
Representation has already been in question throughout a History of Western Art, and its annihilation has already been a goal in favor of a pure, technical art, free of iconographic narrative. Concretism, as an artistic movement, reinforced the forms, planes, colors, materials, spatiality, and, mainly, the non-subjectivity of art as art-itself