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Stratagems to resist fascism

With 134 artists and collectives to date (new enlistments are expected throughout its duration, until January 28, 2024), the ReFundação exhibition, which reopened on September 2,...
Artists hold a vigil in front of the headquarters of the Public Ministry of São Paulo due to changes in the notices of the Paulo Gustavo Law Photo: Disclosure

Impasse persists on the issue of the Paulo Gustavo Law notices in São Paulo

A meeting on the morning of this Tuesday, 26th, in São Paulo, between the Secretary of Culture, Economy and Creative Industry of São Paulo, Marília Marton, and representatives of artists, managers, producers and cultural collectives from...
"The Raising of Lazarus" (1928), by Anita Malfatti. Courtesy: São Paulo Museum of Sacred Art

“I’m sorry, Anita dear”

In September 1928, back in São Paulo after five years in Paris, Anita Malfatti came across the city's cultural stagnation. Deceitful doldrums, so to speak, similar to that which also seemed to prevail there in...
View of the installation "ANTENA IA MBAMBE Mimenekenu Ê lá Tempo!", by Ana Pi and Taata Kwa Nkisi Mutá Imê. Credit: Levi Fanan/Fundação Bienal de São Paulo

35th São Paulo Biennial: Ana Pi

"A dialogue in displacement and between generations": this is how Ana Pi defines the work she developed in partnership with Taata Kwa Nkisi Mutá Imê, a Candomblé priest whose daughter she has been for 18 years, and...
"Lung of the mine", installation by Luana Vitra. Credit: Levi Fanan/Fundação Bienal de São Paulo

35th São Paulo Biennial: Luana Vitra

Iron is the backbone of Luana Vitra's research and magnetizes the installation she created especially for the 35th São Paulo Biennial. The element – ​​accompanied by other metals such as...
The installation "Assembling the history of life", by Castiel Vitorino Brasileiro, at the 35th São Paulo Biennial. Photo: Patricia Rousseaux

35th São Paulo Biennial: Castiel Vitorino Brasileiro

The association between diverse art practices and accurate research into colonial violence perpetrated against material and spiritual culture of African origin are striking aspects of Castiel Vitorino Brasileiro's production,...
Seu Jovenil holding the portrait of his uncle, Otávio Caetano, cupópia master and community partygoer, undated. Quilombo Cafundó, 35th São Paulo Biennial. Courtesy: CEDAE - Alexandre Eulálio Cultural Documentation Center, State University of Campinas

35th São Paulo Biennial: The dance of the possible

The way we perceive the reality of life in society is dialectically affected by the experiences we develop in it, by the multiplicity of constructed relationships and hierarchies produced and established in territories governed by capitalism...
Federal deputy Celia Xakriaba celebrates the decision with elder Isabela Xokleng. Photo: Scarlett Rocha

Historic victory for indigenous peoples: STF overturns the insidious Temporal Framework thesis

The Federal Supreme Court (STF), on the afternoon of this Thursday, 21st, decided to refute, by majority, the Marco Temporal thesis as a criterion for the demarcation of indigenous lands. Nine ministers – Edson Fachin (rapporteur), Alexandre...
Representatives of forums, unions and artists' collectives, during a public hearing at the Legislative Assembly

MinC supports artists and reinforces that the Paulo Gustavo Law is for assistance and...

In a public hearing with dozens of artists, producers and culture managers on the afternoon of Wednesday, 20th, at the Legislative Assembly, in the capital of São Paulo, sector activists called for the immediate revocation of the...
Wifredo Lam

Jacques Leenhardt analyzes the work of Wifredo Lam

The French philosopher and critic is president of the Association of Friends of Wifredo Lam in Paris, a scholar of the Cuban artist's production