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Home Tags Licida Vidal

Tag: Licida Vidal

Horizontal, color photo. Work THOUSAND EYE, by Lia Chaia. In the background, a white wall. A white woman, with her eyes closed and her brown hair tied back. The photograph frames her from the shoulders up. She has bare shoulders. Seven red strands wrap its head horizontally and spaced apart. The first at the hairline, the others parallel, crossing the rest of the face, the last being at the height of your chin. Hanging on the wires, several round pieces refer to eyes, they are white with a brown circle inside and a black circle inside it, as if they were iris and pupil. The work is part of the exhibition SAY NO

Can art say no?

Exhibitions
Exhibition "Saying no" seeks to articulate a critical response to our current context, enunciating conflicts through art
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CURITIBA BIENNIAL | Through photographs, videos CURITIBA BIENNIAL | Through photographs, videos, and installations of strong conceptual density, the Spanish artist Max de Esteban examines themes such as automation, artificial intelligence, surveillance, and power in a large room at the Oscar Niemeyer Museum in the context of the 16th Curitiba Biennial. 📌 In issue #75 of @artebrasileiros, @amaranteleonor writes about LIMARES, the new edition of the Curitiba Biennial. Direct link in bio. #bienaldecuritiba #artecontemporanea
Venice Biennale | The European Commission recommended VENICE BIENNALE | The European Commission has recommended the cancellation of €2 million allocated to the Venice Biennale in response to Russia's participation—the country's first return to the event since the invasion of Ukraine in 2022. According to Henna Virkkunen, head of the Commission, "Culture in Europe, funded with taxpayers' money, must promote and protect democratic values" which "are not respected in Russia today." The Biennale argued that removing Russia would constitute censorship and stated that the programs will proceed as planned. Swipe to see more!
Venice Biennale | Several themes guided the development VENICE BIENNALE | Several themes guided the conceptual development and choreography of this biennale's exhibition: the procession, the Creole garden—a precursor to the concept of agroforestry, which mixes different plant species in the same space—the invitation to enchantment, and the importance of physical and spiritual rest. Rest areas with various types of chairs are part of the exhibition design. At the same time, this edition, inspired by carnival processions originating in Afro-Brazilian religions, invites the body to create a fluid and breathing space. This results in a great deal of dialogue between the works and few individual rooms, even though the artists are generously represented, generally with many works. 📌Read the full text by @cypriano for issue #75 of arte!brasileirosThis is available to Arte✱plus contributors. For just 10 installments of R$ 9,90 per year, you support our work, gain access to four digital magazines annually, and enjoy exclusive benefits. Direct link in bio. Happy reading!
CITY | There are some popularly accepted theories for CITY | There are several popularly accepted theories for the adoption of the name Liberdade (Liberty) in the São Paulo neighborhood. But two stand out. The first refers to Dom Pedro I. A significant part of the population, during his reign, considered him a despot. The people celebrated noisily when a decree was issued on April 7, 1831, celebrating the end of his reign and the date of his abdication. They say there were shouts in the streets: "Liberty, Liberty!". 📌The complete text by @jotabemedeiros, based on the exhibition "Liberdade: bairro plural" (Liberty: a plural neighborhood), on display at the Museu do Ipiranga, is available on the website artebrasileiros.com.br (link in bio). #bairrodaliberdade #liberdade
EXHIBITION | Since 2016, MASP has been organizing its program EXHIBITION | Since 2016, MASP has organized its programming around major thematic themes, such as Indigenous Histories (2023), LGBTQIA+ Histories (2024), and Histories of Ecology (2025). This year, it's the turn of Latin American Histories; the notion of Latinity, so plural, becomes the axis of a whole year of exhibitions, culminating in a large eponymous group show in September. Before the synthesis exhibition, which should take place in September, the museum unfolds the theme in a sequence of solo and retrospective shows that already simultaneously occupy several floors of both buildings on Avenida Paulista. 📌For edition #75 of @artebrasileiros, Lara Paiva (@lara.apv) explores some of these exhibitions, starting with the solo show of Santiago Yahuarcani. Read the full text on the website artebrasileiros.com.br (link in bio).
INSTITUTION | Among sculptures, gardens and the sea, the INSTITUTION | Among sculptures, gardens, and the sea, the Casa do Governador Cultural Park has established itself as one of the most unique initiatives in Brazilian contemporary art. Bringing together works by important artists, temporary exhibitions, educational activities, and a curatorial approach that transforms the landscape into part of the aesthetic experience, the space has become a benchmark for integrating art, nature, and audience development in a single cultural project. 📌Read the full text by Giuliano de Miranda (@giuliano.2803) on the website artebrasileiros.com.br (link in bio)
AGENDA | We've selected some exhibitions for you AGENDA | We've selected some exhibitions for you to enjoy the holiday in São Paulo. To see our complete agenda of exhibitions across Brazil, visit artebrasileiros.com.br/agenda #whattodoinSP #contemporaryart #museums #exhibition #holidayinSP
EXHIBITION | Closed since August 2024 because EXHIBITION | Closed since August 2024 due to restoration work on the Ibirapuera Marquise, the MAM São Paulo announces its return to its historic headquarters. The return will be marked by a fundraising party on August 18th, with all proceeds going towards the museum's financial sustainability. The evening will feature a pocket show by Marina Lima, guest DJs, set design by José Possi Neto, and the launch of a new work commissioned from artist Carmela Gross for the Collectors' Club. During the two years away from its headquarters, the MAM remained active, taking exhibitions, works from its collection, and educational programs to partner institutions in different Brazilian cities. The reopening to the general public is scheduled for September 12th, the opening date of the 39th Panorama of Brazilian Art. SERVICE 📍 Museum of Modern Art of São Paulo — Av. Pedro Álvares Cabral, s/nº, Vila Mariana 🗓️ Reopening party: August 18, 2026, Tuesday, at 19 pm 🗓️ Reopening to the general public: September 12, 2026 🎟️ Party tickets: festamam@mam.org.br Photos 1 and 4 Ding Musa 2 Karina Bacci 3 André Hawk
EXHIBITION | In June, the new São Paulo headquarters of Gale EXHIBITION | In June, the new São Paulo headquarters of the Pinakotheke Gallery was inaugurated with the exhibition Surrealisms: art beyond reason. The show was organized by businessman and cultural editor Max Perlingeiro and art critic, historian, and curator Tadeu Chiarelli. 📌For edition #75 of arte!brasileirosWe have transcribed the interview with the curator. Read the full text, which is available to arte✱plus contributors. Support our work and gain access to four digital magazines per year, plus exclusive benefits. Direct link in bio. #surrealism #pinakotheke
Brazilian art
Following the solid editorial line of the magazines Brasileiros, CULTURA!Brasileiros and ARTE!Brasileiros, the portal ARTE!Brasileiros privileges, in a digital environment, analyses, opinions, reports, articles and beautiful images, maintaining, as always, the care with the reader, with a special space dedicated to videos. You will have access to interviews with experts in contemporary art, behavior, education, literature, philosophy, psychoanalysis, politics and technology.  

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