Tag: lenora de barros
With an increase in visitors, the second edition of the Public Program of...
Among the various actions implemented by the Museu Paranaense since the arrival of its new management team in 2019, its Public Program is one of the initiatives that best summarizes its proposals:...
Gomide & Co opens new headquarters with a show by Lenora de Barros and kindness...
This Wednesday (8/3), Gomide & Co opens its new headquarters with the exhibition I don't see the time, by Lenora de Barros. On the corner of Avenida Paulista and Angélica, the new exhibition space...
Lenora de Barros: Synthesis of a plural production
Curated by Pollyana Quintella, the exhibition focuses on works that discuss the relationship between body and language and runs until April 2023
Casa de Cultura do Parque offers free workshops and opens a new exhibition cycle
With a group show by Germana Monte-Mór, Paulo Monteiro and Solange Pessoa, a solo show by Luís Teixeira, a series of works by Estela Sokol and intergenerational activities, the institution offers a wide range of programs in the city of São Paulo
Words in the world of things
The first exhibition opened at the Museum of the Portuguese Language, Língua Solta is curated by Moacir dos Anjos and Fabiana Moraes and puts contemporary works of art in dialogue with objects, posters and other elements of everyday life
Words in the world of things
First exhibition open at the Portuguese Language Museum, Língua Solta is curated by Moacir dos Anjos and Fabiana Moraes and brings contemporary art works into dialogue with objects, posters and other elements of everyday life.
10th 3M Art Exhibition, in conversation with nature
The persistence of the relationship between art, nature and the city finds symbolic and narrative elements in the collective Lugar Comum: crossings and collectivities in the city, the 10th 3M Art Exhibition. Curated...
From Geiger to Sidney Amaral: the self-portrait collapse continues
Brazilian artists represent bodies beyond an "artistic selfie", seeking reflections far from the exploration of bourgeois subjectivity
