A look at the friendship between Ismael Nery and Murilo Mendes, which began in 1921, demonstrates that there is still much to be studied and written about the particular development of surrealism in Brazil.
Marcos Amaro presents Sobrevoo at Centro Cultural dos Correios, Sesc Belenzinho opens a collective with Regina Silveira and Guto Lacaz, galleries in Belo Horizonte open exhibitions during ArteBH