Tag: Iphan
In Rio Grande do Sul, culture takes stock of losses in heritage and...
A task force bringing together UNESCO, the Ministry of Culture, Iphan and the Culture and Education departments of Rio Grande do Sul began a preliminary survey of the impact of the flood last week...
IPHAN will rescue technical performance
Leandro Grass took over the Institute in January and is promoting the dismissal of all paratroopers placed in the body by the former government
The refoundation of culture
When at the beginning of last February, employees of the National Museum received Leandro Grass, who had just been sworn in as president of the National Historical and Artistic Heritage Institute (IPHAN), there was tension in the air, like...
Brazil wins Red List (red list) that helps to identify cultural objects at risk...
The International Council of Museums (ICOM) launched the Red List Brazil, a bilingual document, in Portuguese and English, which lists the types of cultural objects most vulnerable to international trafficking. The presentation...
EXCLUSIVE: Ministry of Culture comes with new secretariats and fine-tooth comb in the Bolsonaro administration
Since his name was confirmed in office for the future Ministry of Culture, historian Marcio Tavares has been on the field with a double task to interrupt the paralysis of the Bolsonaro government: administrative and political.
The abandonment of Valongo
On the pier built in 1811, in Rio, to receive thousands of enslaved people, and where important archaeological records were found, the strategy of dismantling policies to combat racism and inequality reigns.
Extremist Crusade: How Cultural Denialism Works in Museums
In actions by Ibram and Iphan, bolsonarismo invests against the most important Afro-religious collection in the country, under the custody of the Museum of the Republic, in Rio, and threatens to disrupt the entire National Museum System
Casa Fiat de Cultura returns with restoration of works by Aleijadinho
Works by the Baroque master will be restored and later returned to their communities of origin; process can be followed live by visitors
