Tag: moreira salles institute
Célia Tupinambá reconnects a 400-year-old thread
At the 60th Venice Biennale, in Italy, starting April 24th next year, Brazil will be represented by a work by the visual artist, filmmaker, writer, anthropologist and researcher from Bahia Glicéria Tupinambá, known...
Image dialogue
On display at IMS Paulista, “Xingu: Contactos” contrasts historical documentaries and contemporary records made by the indigenous people themselves
With records from 1890 to 1930, an exhibition at IMS Paulista reveals contradictions of reforms...
Photographs of the emergence of cities in the late 19th and early 20th centuries were associated with an idea of progress and modernity. Images that showed destruction of hovels, enlargement of...
Walter Firmo: An apology for the image
The Moreira Salles Institute of São Paulo presents the exhibition "In the verb of Silence the Síntese do Grito" by the carioca photographer Walter Firmo
Walter Firmo has a retrospective at IMS Paulista
Images by the photographer from Rio de Janeiro extol the black population and culture in the country; exhibition occupies two floors of Instituto Moreira Salles
Daido Moriyama: a retrospective
Around 250 works by influential Japanese photographer Daido Moriyama occupy two floors of Instituto Moreira Salles, in São Paulo.
The radicality in the scenography of the shows
Exhibitions such as "For a breath of fury and hope", at MuBE, point out how important it is to create environments that enhance works on display
The words of Carolina de Jesus
Exhibition "Carolina Maria de Jesus: a Brazil for Brazilians" presents the possibilities of dialogue between literary art by black authors and exhibition spaces beyond a biographical perspective
Paulista Cultural has its first online edition
With actions focused on visual arts, theater, music, dance, literature, comics and photography, Paulista Cultural brings together seven large institutions located on Avenida Paulista, in São Paulo, for a wide digital programming...
The power of empathy
Images made by Madalena Schwartz of the 1970s São Paulo trans scene reveal the photographer's complicity with people in front of her camera
