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Tororoma

Inhotim celebrates its 20th anniversary and invites teachers to a critical reflection on its collection.

In the 14th edition of Decentralizing Access, now with national reach, the museum reaffirms its commitment to education by treating its own collection as an object of research.

Grada Kilomba works with horrors for which we have no language.

Every night, Grada Kilomba plays the piano with her youngest daughter. While Grada plays the rhythm section, her daughter improvises over it. The...
View of the exhibition “Ru Jub'ulik Achik' – Aromas of a Dream”, by Edgar Calel, on display at Inhotim. Photo: Marcos Grinspum Ferraz

Edgar Calel moves mountains and transports Guatemalan culture to Inhotim.

Following his success at the 2023 São Paulo Biennial, the artist from the Kaqchiqel-Maya people returns to Brazil for a large immersive exhibition, reconstructing his cultural and family universe at the institution in Minas Gerais.
Claudia Andujar

Claudia Andujar Gallery Maxita Yano receives indigenous relatives

For indigenous peoples, relatives are the expression they use to designate other members of their original communities, regardless of their territorial and ethnic location. For...

Counter-hegemonic practices in hegemonic contexts

Educator Gleyce Heitor advocates initiatives such as acting on the public dimension of cultural institutions, with policies of free access, mobility and belonging, among others
Kilomba Grada

Back at Inhotim for The Boat – Act II, Grada Kilomba delves deeper into...

Grada Kilomba is the happiest artist in the world. At least that's how she felt after the first performance of O Barco...
Act Three: Spell | Abdias Nascimento

The orishas are alive

With more than 180 works and documents, Inhotim inaugurates the third act around the exhibitions of Abdias Nascimento.
Abdias Nascimento, Raízes n.º 1, exhibited in Inhotim

Inhotim reinforces its public character

After going through difficulties, new reformulations establish the institute as one of the most important contemporary art complexes in Brazil.
Cildo Meireles, 'Desvio para o Vermelho', 1967-1984, Inhotim

Inhotim: institute receives donation of more than 300 works of art

Pieces that were part of Bernardo Paz's collection now belong to the Minas Gerais institute; also check out the new institutional formation of Inhotim
Roots nº1: Tribute to Aguinaldo Camargo, 1987. Museum of Black Art - IPEAFRO. Inhotim Disclosure.

Inhotim: check out new openings at the Minas Gerais museum

Isaac Julien, Jaime Lauriano, Arjan Martins, Laura Belém, Abdias Nascimento and the Museum of Black Art are on the Inhotim program, which opens on May 28