With works “in which it seems that the beginning never begins; or even that the beginning is the middle and the end”, Individual by Ilê Sartuzi traces the dramaturgical occupation of Auroras, where it runs until October 2
Castiel Vitorino, Denilson Baniwa, Ilê Sartuzi, Marcela Bonfim and Ventura Profana are the five selected this year; winners of the 2020 edition will exhibit at the Paço Imperial from September 9
In “Nhonhô”, a work presented on Videobrasil Online, Giselle Beiguelman and Ilê Sartuzi use technological resources and start from the history of a São Paulo mansion to discuss the permanence of colonialism, elitisms and foreignisms in Brazil