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Exile as a starting point in the works of Pedro Figari, Júlio Martins da...

It was to the east of Eden, in the territory of Nod, that Cain was exiled after killing his brother Abel. He lost the abundance of paradise and had to create his refuge, building a new place that...
Untitled (2023), Rafael Pereira. Photo: João Liberato

An artist shaped by migrations, affective memories and self-knowledge

Portraits with expressive eyes are a hallmark of Rafael Pereira's production, who until the 20th (Saturday) presents his first solo show at Galeria Estação, in São Paulo. Curated by Tiago Sant’Ana,...
Art dealer Vilma Eid at her Galeria Estação, in São Paulo. Photo: Disclosure

Vilma Eid, one of the great patrons of Brazilian popular art

Whenever Vilma's Eid birthday approached, her mother used to present her daughter with a work of art, whether it was a painting or a sculpture. At 21, already married, her mother...

At Galeria Estação, “Reversos e Transversos” seeks to dissolve the dichotomy between popular and erudite art

Curated by Ayrson Heráclito, the exhibition establishes parallels between popular artists segregated by the art system and established names, with whom they maintain approximations, in different biennials, over seven decades
Jose Antonio da Silva

the modern hillbilly

Painter José Antônio da Silva’s work offers reading keys to an important turning point in the history of Brazil, in socio-environmental, artistic and formal terms
Germana Monte-Mór

After all

The critic, professor and curator Rodrigo Naves makes an analysis of the work of Germana Monte-Mór, who until November 5th presents, at Galeria Estação, about 25 paintings, made during the pandemic.
Horizontal, color image. View of the exhibition SANTÍDIO PEREIRA INCISIONS CUTS ENCAIXES, at the Iberê Camargo Foundation. Room with white walls and wooden floor. On the left, two large paintings, side by side; on the right a painting more than 2 meters high; in the center a large frame, about 1 meter, next to a sequence of 6 small frames. All works are woodcuts of bromeliads.

Santídio Pereira exhibits at the Iberê Camargo Foundation, in Porto Alegre

With works that revisit childhood memories, "Santídio Pereira: incisions cut-outs" is the artist's first solo show in a museum

Art market in 2021: far from the crisis

In the midst of an extremely troubled context with the pandemic, professionals in the Brazilian art market report a year of positive sales results, benefiting from both the expansion of the virtual and the recent resumption of the face-to-face.

Collaborative project brings together galleries and cultural spaces on a virtual platform

Transe will work on the website of the gallery Fortes D'Aloia e Gabriel as a network of collaboration and exhibition of artistic works that will be renewed every three months; first stage has nine cultural entities

FAMA takes art brut to Itu

With the opening of Bispo do Rosário exhibition, art as worldbuilding seminar takes to itu discussions around art brut, or outsider art, and presents international artists and experts integrating the movement