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Multiplicity Box 300

FRANCE-BRAZIL SEASON | “Debret's work is not FRANCE-BRAZIL SEASON | “Debret’s work is not limited to reflecting on his time. On the contrary, Debret interrogates his time by establishing two distinct studios, in which he produces two absolutely different types of works,” writes the French researcher Jacques Leenhardt in the book Rever Debret, published this year by Editora 34. The author refers to the fact that the artist Jean-Baptiste Debret arrived in Brazil in 1816 as part of the French Artistic Mission. His role was to fulfill government commissions as a painter for the Portuguese court. However, while creating these paintings in his “court studio,” he also recorded the daily life of the population of Rio de Janeiro, with drawings that showed the lives of Portuguese, indigenous, and enslaved Africans. For these works, the artist sat on the sidewalk while witnessing the birth of a nation in his “street studio.” 📌Read the full text by Luiza Lorenzetti (@luiza.lorenzetti) about the exhibition “Debret in Question – Contemporary Perspectives,” currently showing at the Ipiranga Museum. The publication is part of issue #73 of arte!brasileiros (link in bio). — Image 1: Gê Viana, 2024. “Waiting for the prayer for the drumbeat”, Radiola de promessa Series. Photos: Artist's collection | Courtesy of Lima Galeria. Image 2: Debret, 1834, lithographs on paper, from the Collection of the Guita and José Mindlin Brazilian Library - USP Pro-Rectorate for Culture and University Extension. Photo: Vicente de Mello. Image 3: Dalton Paula, 2019. “Settling back to the city of a farm owner”. Image 4: Jaime Lauriano. “Installation Brazil through the Mirror”. Image 5: Debret, 1834, lithographs on paper, from the Collection of the Guita and José Mindlin Brazilian Library - USP Pro-Rectorate for Culture and University Extension/Gê Viana, 2022. “Radiola de promessa”, “Traumatic Performances of Debret” series.
INSTITUTION | The Copan Building establishes itself as a space INSTITUTION | The Copan Building establishes itself as a space for cultural interaction in the center of São Paulo. Now, with the reactivation of the Cine Copan, by Nubank in partnership with Viva do Brasil, scheduled for 2027, the project joins already consolidated initiatives, expanding the cultural use of the building. Swipe through the images to learn more about the project!
EXHIBITION | Until February 22nd, Sesc Bele EXHIBITION | Until February 22nd, Sesc Belenzinho presents the exhibition “Ònà Irin: railway path”, a solo show by the artist Nádia Taquary. Curated by Amanda Bonan, Ayrson Heráclito, and Marcelo Campos, the exhibition premiered at the Rio Art Museum (MAR) in 2023 and was on display at the National Museum of Afro-Brazilian Culture (MUNCAB) in Salvador until March of this year. The exhibition brings together 22 works produced at different moments in the artist's career, who began her journey in 2010 researching Afro-Brazilian jewelry, especially the balangandãs (beaded ornaments). 📌A arte!brasileiros [The interview] was conducted with Taquary and the full text is available on the website artebrasileiros.com.br (link in bio) By Luiza Lorenzetti (@luiza.lorenzetti)
EXHIBITION | Upon entering the exhibition of the Brazilian artist EXHIBITION | Upon entering the exhibition of Brasília-based artist Antonio Obá at Mendes Wood DM in São Paulo, visitors walk alongside Sansevieria (also known as Mother-in-law's tongue or Saint Barbara's sword) and other similar plants. These healing and protective plants, used in Afro-Brazilian traditions, prepare those who arrive for a show surrounded by elements of luck, ritual, and prayer. Entitled "Birth," the exhibition occupies the entire gallery with mostly previously unseen works. According to Obá, the presented collection stems from a broad selection within a research process that attempts to expand his self-references into a greater experience. He explains: “It's a journey. From this birth to culminating in this outcome, which is death, and the various deaths we end up having along the way. Why not celebrate these moments? We usually only celebrate what is good, but why not also celebrate what is death and, above all, what is doubt?” 📌Read the full text by Luiza Lorenzetti (@luiza.lorenzetti) for issue #73, which is exceptionally open to all readers, via the link in the bio (@artebrasileiros).
Across Brazil | The exhibition "Water Pantanal Fire" BRAZIL ACROSS | The exhibition "Water Pantanal Fire" arrives in London, bringing to an international audience images that document the recent transformations of the Brazilian Pantanal. With photographs by Lalo de Almeida and Luciano Candisani, the show articulates records of biodiversity, water scarcity, and fires associated with climate change. On display at the Science Museum, the exhibition combines documentary photography and complementary information that broadens the debate on the environmental impacts on the largest wetland system on the planet and its global effects. SERVICE 📍 Science Museum: Exhibition Road, South Kensington, London, SW7 2DD 📅 On display from February 6 to May 31, 2026 🎟 Free admission (with advance booking via the website or at the museum reception) ⏰ Monday to Sunday, 10 am to 6 pm Photos 1, 4 and 5: Luciano Candisani Photos 2, 3 and 18: Lalo de Almeida
EXHIBITION | “Our North is the South” – this phrase is synonymous with… EXHIBITION | “Our North is the South” – this phrase summarizes the thought of Joaquín Torres García, a Uruguayan artist, theorist, and educator who dedicated his life and work to elevating the art of Latin America, often disregarded at the beginning of the 20th century. On display at CCBB São Paulo until March 9th, "Joaquín Torres García – 150 years" presents works, documents, letters, and other writings by the artist, with the aim of disseminating his ideas to an even wider audience. 📌Read the full text by Lara Paiva (lara.apv), who spoke with curator Saulo di Tarso, on the website artebrasileiros.com.br (link in bio) #exhibition #torresgarcia #latinamerica
EXHIBITION | The Inhotim Institute presents, on the 7th of EXHIBITION | On February 7th, the Inhotim Institute presents new activations in the exhibitions of Paulo Nazareth and Grada Kilomba, bringing together installation, performance, and video in dialogue with issues of memory, spirituality, and colonial legacies. The actions are part of the ongoing development of the projects on display. The program includes the inauguration of a new work by Nazareth and the presentation of a new act in Kilomba's work, accompanied by public activities that broaden the debate between contemporary art, history, and public participation. SERVICE 📍 Inhotim Institute – Brumadinho (MG) Exorcism – Paulo Nazareth 📅 February 7th, at 10:30 am 📌 Praça Gallery [G3] ⏱️ Duration: 60 min | Rating: Suitable for all ages. The Boat – Act III – Grada Kilomba 📅 February 7th, conversation with the artist at 15 PM 📌 Galpão Gallery [G11] ⏱️ Duration: 60 min | Rating: Suitable for all ages
EXHIBITION | Given the unique theme, it is necessary to... EXHIBITION | Given its thematic uniqueness, it's surprising how the "Indigenous Benches" exhibition, currently on display at the National Museum in Brasília, is captivating viewers worldwide and drawing hundreds of visitors to the Esplanade of Ministries daily. Recently, when choosing the 10 best native art exhibitions of 2025, the North American publication First American Art Magazine included the Brazilian show as one of the highlights. 📌Read the full text by Jotabê Medeiros (@jotabemedeiros) on the website artebrasileiros.com.br (link in bio)
EXHIBITION | The exhibition "All the Rivers: Identity" EXHIBITION | The exhibition "All Rivers: LGBTQIA+ Identities in the Collection of the Pinacoteca de São Paulo," curated by Thierry Freitas (@thierryfreitas_), marks an institutional encounter between the Museum of Sexual Diversity and the Pinacoteca, proposing a reading of the history of Brazilian art from the experiences and productions of LGBTQIA+ artists. By bringing together works from different periods and contexts, the exhibition broadens access to the Pinacoteca's collection and reinforces the museum as a space for research, public debate, and the circulation of historically marginalized narratives. SERVICE 📍 Museum of Sexual Diversity – São Paulo 📅 On display until August 2nd 🕙 Tuesday to Sunday, from 10 am to 18 pm 🎟️ Free admission (tickets available through Sympla) Cover artwork: Randolpho Lamonier
Brazilian art
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