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In front, "Museu do Homem do Nordeste", by Jonathas de Andrade, in the background works by Candido Portinari, Almeida Junior and Paulo Nazareth. Photo: Levi Fanan / Collection of the Pinacoteca do Estado de São Paulo

Is art without class struggle just decoration?

For some decades, a new ethical position has emerged in artists who work with struggles of groups and communities that are not part of hegemonic systems.

Hal Foster: Everything is Fight

In the book “What comes after the farce?”, Hal Foster analyzes the effects of Trumpism on the North American arts scene and points out forms of resistance

Aesthetic Form and Social Contradiction

argues that museums must problematize memory. He not only remembers, but takes a stand on what are our ways of remembering and forgetting, they grammars of forgetting and remembering that still...