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Home Tags Delirium

Tag: delirium

Places of Delirium, a must see, at Sesc Pompeia in São Paulo

Art
The exhibition erases boundaries between reason and madness, more than 150 works by plastic artists and psychiatric patients from the Nise da Silveira and Juqueri Hospital centers
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AGENDA | We've selected some exhibitions for you AGENDA | We've selected some exhibitions for you to enjoy the holiday in São Paulo. To see our complete agenda of exhibitions across Brazil, visit artebrasileiros.com.br/agenda #whattodoinSP #contemporaryart #museums #exhibition #holidayinSP
EXHIBITION | Closed since August 2024 because EXHIBITION | Closed since August 2024 due to restoration work on the Ibirapuera Marquise, the MAM São Paulo announces its return to its historic headquarters. The return will be marked by a fundraising party on August 18th, with all proceeds going towards the museum's financial sustainability. The evening will feature a pocket show by Marina Lima, guest DJs, set design by José Possi Neto, and the launch of a new work commissioned from artist Carmela Gross for the Collectors' Club. During the two years away from its headquarters, the MAM remained active, taking exhibitions, works from its collection, and educational programs to partner institutions in different Brazilian cities. The reopening to the general public is scheduled for September 12th, the opening date of the 39th Panorama of Brazilian Art. SERVICE 📍 Museum of Modern Art of São Paulo — Av. Pedro Álvares Cabral, s/nº, Vila Mariana 🗓️ Reopening party: August 18, 2026, Tuesday, at 19 pm 🗓️ Reopening to the general public: September 12, 2026 🎟️ Party tickets: festamam@mam.org.br Photos 1 and 4 Ding Musa 2 Karina Bacci 3 André Hawk
EXHIBITION | In June, the new São Paulo headquarters of Gale EXHIBITION | In June, the new São Paulo headquarters of the Pinakotheke Gallery was inaugurated with the exhibition Surrealisms: art beyond reason. The show was organized by businessman and cultural editor Max Perlingeiro and art critic, historian, and curator Tadeu Chiarelli. 📌For edition #75 of arte!brasileirosWe have transcribed the interview with the curator. Read the full text, which is available to arte✱plus contributors. Support our work and gain access to four digital magazines per year, plus exclusive benefits. Direct link in bio. #surrealism #pinakotheke
EXHIBITION | The Liberdade neighborhood is an invention i EXHIBITION | The Liberdade neighborhood is an institutional invention. This is what the exhibition Liberdade: Bairro Plural (Liberdade: Plural Neighborhood), which opens this Tuesday, the 7th, at the Museu do Ipiranga, shows. This is because it was only 52 years ago, in 1974, that the São Paulo city hall decided to deliberately create what was initially called the "Oriental Neighborhood" in that region. For the curators of the exhibition, the plurality of social groups that inhabit or have inhabited Liberdade since its beginnings does not authorize a single territorial claim. 📌Read the full text by Jotabê Medeiros (@jotabemedeiros) on the website artebrasileiros.com.br (link in bio). #liberdade #bairrodaliberdade #museudoipiranga
CULTURE | While much of the Northeast awakens CULTURE | While much of the Northeast awakens to take down the little flags and extinguish the last embers of the bonfires of Saint Anthony, Saint John, and Saint Peter, in São Luís the opposite happens. It is precisely when June seems to be coming to an end that the capital of Maranhão decides to extend it for another day, celebrating the patron saint and protector of Bumba Meu Boi. Before six in the morning, Avenida São Marçal, in the João Paulo neighborhood, is no longer car-filled. Held every June 30th for almost a century, the Encontro de Bois de São Marçal (Meeting of the Oxen of São Marçal) will reach its 99th edition in 2026. Bringing together dozens of groups, especially those of the matraca style, it has become the symbolic closing of the Maranhão June festivities. 📌Read the full text by Bibiana Belisário (@bibianabelisario) on the website artebrasileiros.com.br (link in bio) 📸Photos by Samuel Macedo (@samuelmacedo_fotografo) #bumbameuboi #sãoluís
EXHIBITION | The Grotto — Contemporary Art Space EXHIBITION | A Gruta — Espaço de Arte Contemporânea presents, from July 11th, "Primeiro mergulho" (First Dive), Beatriz Buendia's first solo exhibition, curated by Gabriela Gotoda. The artist's canvases feature few recurring elements: arches, spirals, beams, portals, symbols of openness and crossing that also define her method. The brushstrokes always move from the edges to the center, a dive into the pictorial field. Bringing together a body of paintings developed over the last two years, the exhibition is both a milestone of maturation and a turning point in her trajectory. The collection of works is the result of five years of dedication to the studio environment, a period in which the artist refined continuous research on the procedures of preparing the support, pigmentation and fabrication, consolidating an increasingly original language. Service 📍 Gruta — Contemporary Art Space — Rua Barra Funda, 450, São Paulo 🗓️ From July 11th to August 8th, 2026 🕒 Monday to Saturday, from 14 PM to 19 PM 🎟️ Free admission "Exhibition Plan – Gruta" is a project carried out through the Federal Law for Cultural Incentive (Lei Rouanet), of the Ministry of Culture and the Federal Government, sponsored by Imbil and produced by Ipê Produção Cultural and Gruta Espaço de Arte Contemporânea.
CURITIBA BIENNIAL | Under the general curatorship of Adri CURITIBA BIENNIAL | Under the general curatorship of Adriana Almada and Tereza de Arruda, the Biennial abandons linear paths and brings together artists of different generations, geographies, and cultures around issues that define the present. Artificial intelligence, climate crisis, displacement, and non-Western cosmologies permeate an exhibition that avoids easy answers. Instead of explaining the world, it proposes inhabiting it in its complexity. 📌Read the full text by @amaranteleonor for issue #75 of arte!brasileirosThis is available to Arte✱plus contributors. Support our work and gain access to four digital magazines per year, plus exclusive benefits. Direct link in bio. #bienaldecuritiba #artecontemporanea
VENICE BIENNALE | At the request of Koyo Kouoh, deceased VENICE BIENNALE | At the request of Koyo Kouoh, who passed away on May 10, 2025, Hélio Menezes wrote a text for the catalog of the 61st Venice Biennale, which is available at @artebrasileiros. "In our last meeting, two months before her unexpected passing, Koyo excitedly commented, without denying her weariness, on the paths to Venice. She spoke of the need for a “radical solidarity” in the field of arts, while asking, with genuine interest, about the process I had recently experienced of curating a collective exhibition at the 35th São Paulo Biennial, Choreographies of the Impossible. (...) This essay is, in a way, an imaginary and timeless continuation of that interrupted conversation." 📌Read the full text by @helio.menezes for issue #75 of arte!brasileiros, which is available to Arte✱plus contributors. For just 10 installments of R$9,90 per year, you support our work, gain access to four digital magazines per year, and receive exclusive benefits. Direct link in bio. Image: Ayrson Héraclito, Juntó
VENICE BIENNALE | It is not uncommon that, when the exhibition VENICE BIENNALE | It's not uncommon that, when the main Venice exhibition is very powerful, the national representations become somewhat overshadowed. This was undoubtedly the case in 2026. In this context, Brazil stands out thanks to the curatorial work of Diane Lima, Adriana Varejão, and Rosana Paulino, entitled "Nobody Can Mess With Me." The pavilion was restored in an exemplary manner, with transparencies that had previously been walled up. Even so, there is a clear discrepancy. While Varejão offers a certain cosmetic treatment of decolonial issues, which pleases the market but has been repeated for decades, Paulino, with an imagery based on personal memories and stories, presents a much more forceful work that deserved to occupy the space alone. 📌Read the full text by @cypriano for issue #75 of arte!brasileirosThis is available to Arte✱plus contributors. For just 10 installments of R$9,90 per year, you support our work, gain access to four digital magazines annually, and enjoy exclusive benefits. Direct link in bio. Happy reading!
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