Tag: Decoloniality
Is art without class struggle just decoration?
For some decades, a new ethical position has emerged in artists who work with struggles of groups and communities that are not part of hegemonic systems.
Instituto de Arte Contemporânea de Ouro Preto has applications open for artistic residency
Until the 13th of February, the Instituto de Arte Contemporânea de Ouro Preto (ia) has open enrollment for the first edition of the Program...
Frantz Fanon, the force of language
*By Eugênio Lima Reembarking in this Fanon world was very intense. I remembered things I had forgotten and little by little I was rebuilding everything, from the...
Politicizing the art market: how new proposals have raised questions of...
*By Ana Letícia Fialho and Luciara Ribeiro The result of the last elections, both in Brazil and in the USA, was marked by presences that somehow...
New territories expand reflection on art
Curators of the 3rd edition of Frestas - Triennial of Arts, entitled "The river is a serpent", bring together knowledge and Afro-indigenous, native and ancestral thoughts to think an art of the impossible
New territories expand reflection on art
Curators of the 3rd edition of Frestas - Trienal de Artes, entitled The river is a snake, bring together Afro-indigenous, native and ancestral knowledge and thoughts to think about an art of the impossible
Beyond the stereotype: Brazilian art by Asian-Brazilians
In recent years, the debate on prejudice and the inclusion of minorities has come to occupy a growing space in the arts circuit. However, still little...
In “Cartografia do Olhar”, Ana Beatriz Almeida analyzes works of art from a...
Rosana Paulino, Juliana dos Santos, Moisés Patrício and Antônio Obá are subjects in classes taught by Ana Beatriz Almeida at SP-ArteVR; the project is presented in partnership by arte!brasileiros and by JK Iguatemi
Artistic projects bring non-white representation to SP-Arte
01.01 Art Platform and Levante Nacional Trovoa debut at the fair and seek to insert black, Asian and indigenous productions into the hegemonic art circuit
Art does not disconnect from life
Interview with one of the exponents of indigenous representation in the visual arts
