Tag: covid
Editorial: In the debacle…
Plunged into a country adrift, shrouded in lies and cynicism, with more than 2 deaths a day and without decent...
Art fairs in the world: how are they after a year of pandemic?
Delays and adaptations to more modest formats are among the most viable alternatives; despite this, the growth of the virtual market and the participation of social media can question the presence of mega fairs?
(Possible) Predictions for the Art Market in 2021
From the return of in-person fairs to the confidence in the purely digital format put to the test, check out some of the anticipations for the art market this year
An anti-disciplinary look at a year that begins at the end
Anyone walking along Avenida Vergueiro, in the capital of São Paulo, is faced with a series of colorful lambe-lambes by the posts near the Centro Cultural São Paulo...
Frieze London: local event and adaptation to the virtual mark the 2020 edition
Fair runs until the 16th of October; this year, Frieze London has a hybrid format between the virtual and a predominantly local physical edition
MASP opens virtual exhibition by Hélio Oiticica
With its physical occurrence postponed, MASP brings part of the exhibition to the web along with a guided tour
Virtual gallery unites photographers during the pandemic
A temporary initiative with a solidary purpose, Galeria 20 X 20 brings together beginners and renowned photographers to support professionals who have had their work interrupted by the quarantine.
depicting the invisible
As photographers around the globe strive to provide depth to documenting the Covid-19 crisis, the ARTE!BRASILEIROS presents a series of images taken in recent months in different countries
The cry that comes from art
In isolation, artists systematically produce as a form of resistance to the virus and the president
Normal was not normal: What museums do we want after the pandemic?
It is essential to start anew, to decolonize the museum from its servile condition of the ideology of a power and of a global economy, to understand how the narratives that museums starred in, the way in which they received their audiences, as mere consumers, distorted and robbed them of the challenges of contemporaneity
