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The critic and columnist of arte!brasileiros Tadeu Chiarelli concludes his series of articles on Tarsila do Amaral’s self-portraits by analyzing these images that would become icons of the artist’s production and, ultimately, of São Paulo’s modernism.
The critic and curator Tadeu Chiarelli analyses, based on the work "Don't enter the left", by Maurício Nogueira Lima, the representation of the city of São Paulo made in photographs and paintings at different times of the XNUMXth century
To be in front of a true finished work of art or to follow its constitution, are these experiences with points in common? From his participation in a WhatsApp group, in these months of pandemic, the author tries to demonstrate that yes!
Reflections from direct contact with the individual exhibition "Brasil Nativo, Brasil Alienígena", which occupies the Masp and Sesc Avenida Paulista
Check out Tadeu Chiarelli's text about Beiguelman's installations at the City Museum