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Home Tags CNI

Tag: CNI

Marcantônio Vilaça Award has applications extended until March 22

Art
Scholarships worth R$50 will be offered to five winners to produce new works
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EXHIBITION | Starting January 24th, Luiza S EXHIBITION | Starting January 24th, Luiza Sigulem presents her second solo exhibition at Ateliê397, "Manual for Traveling the Shortest Distance from One Point to Another," curated by Juliana Caffé. The show investigates the relationships between body, architecture, and time through the experience of displacement, incorporating the lack of accessibility as a critical structure of the project and questioning the logic of efficiency as a norm. SERVICE 📍 Ateliê397: Travessa Dona Paula, 119A, Higienópolis – São Paulo 📅 On display from January 24th to February 28th, 2026 🕒 Visiting hours: Wednesday to Saturday, from 14 pm to 18 pm
EXHIBITION | The Museum of the Portuguese Language presents EXHIBITION | The Museum of the Portuguese Language presents the exhibition FUNK: a cry of audacity and freedom, which investigates the trajectory and influence of funk on language, visual arts, and urban culture. The project was originally conceived by the Rio Art Museum (MAR), curated by Taísa Machado, Dom Filó, Amanda Bonan, and Marcelo Campos. Now, it arrives in São Paulo with the addition of curator Renata Prado, who brings São Paulo funk closer to the exhibition with new references and commissioned works. To watch the complete conversation with the curator of the new installation, access the link in the bio! (Interview by Luiza Lorenzetti @luiza.lorenzetti Filming and editing by Coil Lopes @vjcoil) #funk #funkbrasil #exhibition #museudalinguaportuguesa
EXHIBITION | MAM Rio presents the first edition EXHIBITION | MAM Rio presents the first Brazilian edition of Voile/Toile – Toile/Voile (Sail/Canvas – Canvas/Sail), a work by the French artist Daniel Buren that articulates performance, landscape, and exhibition space. The project begins with a regatta-performance in Guanabara Bay and unfolds into an exhibition in the museum's foyer, establishing a continuity between outdoor action and institutional presentation. Begun in 1975, the work transforms boat sails into artistic supports and integrates unpredictable factors, such as wind, weather, and visibility, into the experience of the artwork. SERVICE ⛵Performance/Regatta: January 22, 2026, at 15 PM ⛱Route: Marina da Glória → Praia do Flamengo 🖼Exhibition: January 28 to April 12, 2026 📍Museum of Modern Art of Rio de Janeiro (MAM Rio): Av. Infante Dom Henrique, 85 – Aterro do Flamengo – Rio de Janeiro ⏰Visiting hours: Wednesday to Sunday and holidays, from 10 AM to 18 PM. On Sundays, from 10 AM to 11 AM, exclusive visitation for people with intellectual disabilities 🎟Free admission | Tickets: www.mam.rio
COLLECTING | With 350 works on display at MAM Rio, COLLECTING | With 350 works on display at MAM Rio, the exhibition "Gilberto Chateaubriand: a sensory collection" honors the collector who passed away three years ago, leaving 6.400 pieces on loan to the museum. The exhibition's title is a quote from Gilberto himself: "I am a sensory being. A Dionysian, let's say. The work of art is so impressive that it motivates a mental and physical excitement as well," he said in a recorded conversation with his son Carlos Alberto Chateaubriand and curator Luiz Camillo Osorio in 2014. Curated by Pablo Lafuente and Raquel Barreto, the exhibition remains on display until February 1, 2026. 📌Read the full text by Fabio Cypriano (@cypriano) for issue #73, which is exceptionally open to all readers, via the link in the bio (@artebrasileiros) #mamrio #collecting #exhibition #whattodoinrio
LAST DAYS | Until January 24th, the Martin gallery LAST DAYS | Until January 24th, the Martins&Montero gallery in São Paulo presents "Negative Desire". Curated by Jota Mombaça, the exhibition brings together works by Hudinilson Jr., Bruna Kury, and Tetê. The show uses queer theory to investigate reproducibility as a normative principle and to reflect on artistic practices that operate refusal as a critical method. By articulating body, language, copy, and dissent, the collective proposes the interruption of hegemonic forms of existence and points to the possibility of imagining other ways of life. SERVICE 📍Martins&Montero: Rua Jamaica 50, Jardim América, São Paulo (SP) 📆On display until January 24, 2026 ⏰Visiting hours: Tuesday to Friday, 10 am to 19 pm; Saturdays, 11 am to 16 pm
EXHIBITION | Until January 25th, the Museum of the Portuguese Language EXHIBITION | Until January 25th, the Museum of the Portuguese Language is holding another edition of the Holiday Season, with a free program focused on urban cultures. Workshops on rhyme, graffiti, and urban dances, as well as traditional games, occupy the Museum space and engage with the exhibition "FUNK: A cry of audacity and freedom". The activities are led by artist-educators and propose an approach to the connection between language, body, territory, and contemporary cultural practices. In addition to the special holiday program, the public can visit the Museum's main exhibition and the exhibition dedicated to funk. SERVICE 📍Museum of the Portuguese Language: Praça da Luz, s/n – Luz – São Paulo Holiday Station – Museum of the Portuguese Language 📆Until January 25th ⏰Tuesday to Sunday, from 10 am to 17 pm 🎟Free admission Main exhibition and FUNK: A cry of audacity and freedom 📆Tuesday to Sunday, from 9 am to 16:30 pm (stay until 18 pm) 🎟Tickets: R$ 24 (full price) | R$ 12 (half price) Free on Saturdays and Sundays Cover artwork: Bruno Lyfe
COURSES | Between January and February, MASP presents COURSES | Between January and February, MASP presents eight new open courses through the MASP School. The program includes in-person and online classes with introductory and experimental courses in drawing, painting, and performance. The schedule also includes online training on portraiture, introduction to curating, and a course dedicated to the relationship between art and mental health. All courses offer scholarships and discounts for teachers of early childhood, elementary, middle, and high school education in the public school system, subject to a selection process after registration, in addition to a 15% discount in the AMIGO MASP program. At the end of all courses, certificates are issued to students who complete 80% attendance. To register and learn more, visit: masp.org.br/masp-escola
EXHIBITION | At 92 years old, Anna Bella Geiger presents EXHIBITION | At 92 years old, Anna Bella Geiger presents a new work in Rio de Janeiro. Commissioned by the Projeto Maravilha (Marvelous Project), the sculpture "Typus Terra Incognita" occupies the Bosque das Artes (Arts Grove) in the Parque Bondinho Pão de Açúcar® (Sugarloaf Cable Car Park). The intervention marks the second edition of the Projeto Maravilha and inaugurates its integration into the Maravilha – Ícones na Paisagem (Marvelous – Icons in the Landscape) program, focused on the installation of permanent works in public spaces in the city. Simultaneously, the Espaço Maria Ercília (Maria Ercília Space) presents the exhibition "Anna Bella Geiger: a body in space," which brings together works in different languages ​​and reinforces the role of the body as a critical instrument in her trajectory. SERVICE 📍Bosque das Artes – Parque Bondinho Pão de Açúcar®: Address: Av. Pasteur, 520 – Urca, Rio de Janeiro 📆Opening: January 14, 2026 🎟Tickets: parquebondinho.com.br
STORIES FROM THE CRITICISM | Tadeu Chiarelli has a chapter STORIES OF CRITICISM | Tadeu Chiarelli possesses a rare ability to reconcile historical research with direct contact with contemporary artistic production, coupled with intense activity in the exhibition and academic circuit. A precise illustration of this broad, pendulum-like movement is the author's publication of two seemingly distinct books, less than a month apart, at the end of last year. In an interview for @artebrasileiros, Tadeu Chiarelli discusses the publications 'Appropriations' and 'Brazilian Art', analyzes the dialogue between past and present in art, and the role of the art critic and historian. 📌Read the full text by Maria Hirszman (@mariahir) for issue #73, which is exceptionally open to all readers, via the link in the bio (@artebrasileiros).
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