Tags: christian dunker
Art and culture are intertwined in a democracy
Urgent topics in the Brazilian and world sociopolitical scenarios were debated during the 22nd and 23rd of September at the Sesc Vila Mariana Auditorium in São Paulo
Issue #58 contributors
Christian Dunker is a full professor in Psychoanalysis and Clinical Psychopathology at the Institute of Psychology of the University of São Paulo, with a postdoctoral degree in the pathologies of...
Aesthetic moment and the ethical time of democratic reparation
From different historical occurrences and concepts of psychoanalysis, the author discusses the idea of infinite mourning - common to cases of collective losses - and talks about the need for reparation
Empathy as an aesthetic experience
The limits of our capacity for empathy are also the limits of our experience of language, of our optical form and of our own condition; in the context of the coronavirus pandemic, when solidarity and empathy are even more necessary, we recall a text by psychoanalyst Christian Dunker
The time and the turn of the Democrats to act
Believing that art can only develop in a free society, the arte!brasileiros expresses its solidarity with USP professors and publishes a letter in which they propose that the democratic forces of Brazil unite to put an end to the authoritarian Bolsonarist project
The role of culture in mental health
Culture teaches us how to suffer and, conversely, how to treat suffering in the collective and individual context of caring for the self, writes psychoanalyst Christian Dunker; read the article
Crown of thorns
Although painful as a thorn in the soul, we go through an experience that can be profoundly transformative.
The Logic of Tosco Brasileiro is not without Gambiarra
Psychoanalyst and professor at USP Christian Dunker responds to the text by researcher and professor at UFMG Sabrina Sedlmayer
Speculative attack or the gambiarra versus the Brazilian rough
Researcher and professor at UFMG Sabrina Sedlmayer echoes text by psychoanalyst Christian Dunker
Essay on the “Brazilian Crude” in Philosophy and the Arts
It is possible that ten or fifteen years from now, art historians will characterize this period, between 2016 and 2022, as the heyday of the "Brazilian Tosco"
