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Migrant Art Gallery

Foreword - Boycott of the Triumphal Entry: Painting as a Transmitter of Coloniality
Ismael Nery, Decomposed Figure, 1927

Curatorial inconsistencies at the Venice Biennale

by Maykson Cardoso Berlin-based art researcher PhD candidate in Visual Arts at the School of Fine Arts at UFRJ Fabio Cypriano is one of the last bastions of courageous art criticism in Brazil. I read his review...

Venice Biennale submerges in neoliberal strategies

Curator of the 60th edition, Brazilian Adriano Pedrosa, uses personal marketing, support for the secondary market and emptying of political meanings in the 60th edition of the Italian exhibition
Adriano Pedrosa at Masp

Adriano Pedrosa, from Masp, will be curator of the 2024 Venice Art Biennale

The Venice Biennale announced this Thursday (15th) that Adriano Pedrosa, artistic director of Masp, will be the curator of the visual arts section of the next edition of the show, which takes place in the Italian city of 20...
Caravan Museu do Homem do Nordeste, by Jonathas de Andrade, in the exhibition "O rebound of the boat"

Jonathas de Andrade and the ambiguity of meetings

Completing 40 years of life and 15 of his career, the Alagoan opens solo panoramic at Pinacoteca Station, in São Paulo; we talked to the artist about the moment and the concepts that permeate his artistic practice
Works from the series Sonhíferas, by Solange Pessoa

Venice Biennale: Dream in the midst of war

59th edition of the oldest art biennial, this time by Italian Cecilia Alemani, makes the inclusion of women artists its main asset

Shows that complement each other

documenta and the Berlin and Venice Biennials, despite bringing contradictory conceptions of the state of the art, provide a complete overview of current production

Some highlights of the 59th Venice Biennale

Held this year between the 23rd of April and the 27th of November, the 59th Venice Biennale presents itself, from the outset, as a historic edition, both for its realization after a long period of...
"To See the Earth Before the End of the World", Precious Okoyomon. Photo: Roberto Marossi / Courtesy Venice Biennale

59th Venice Biennale presents main show with few dissonances and noise

The 59th Venice Biennale, which opened to the public on April 23, begins in a historic way. Not only is it the first after the postponement imposed by the pandemic, but the first in which, in the exhibition...
jonathan

In Venice, Jonathas de Andrade comments on the state of suspension and distress in which we live

Artist uses Portuguese phrases and expressions in the Brazilian pavilion of the 59th Venice Biennale, open from this Saturday