Tag: artebrasileiros-64
“The debate tries to make noise, provoke dissonance and distinction”
Author of the books An African woman in the Louvre and The art of black worlds: History, theory, criticism, recently released in Brazil by Bazar do Tempo, French historian Anne Lafont was...
Issue #64 contributors
CLAUDINEI ROBERTO DA SILVA is a professor, curator and visual artist. He coordinated, among others, the educational aspects of the Afro Brasil Museum. He is part of the Art Commission...
Delicate balance
Until October 22nd, the Iberê Camargo Foundation, in Porto Alegre (RS), will host Ajuntamentos, by the Minas Gerais artist Afonso Tostes. The exposure...
Vilma Eid, one of the great patrons of Brazilian popular art
Whenever Vilma's Eid birthday approached, her mother used to present her daughter with a work of art, whether it was a painting or...
Laje Collection gains visibility for peripheral production
Present in at least five recent exhibitions, three of which are still on display, the Bahian Acervo da Lage is one of the most original initiatives in...
Criticism and eroticism temper the exhibition 'Moqueca de husbands'
The gallery A Gentil Carioca arrived in São Paulo a year and a half ago and installed its expanded space in a charming cul-de-sac,...
Seminars arte!brasileiros wins Antônio Bento Award from ABCA
Two certainties guide these meetings: creating bridges and believing that art focuses the knowledge of subjects of their time
Stratagems to resist fascism
With 134 artists and collectives to date (new enlistments are expected throughout its duration, until January 28, 2024), the...
Retrospectives
Read the editorial of issue #64 of arte!brasileiros, by Patricia Rousseaux
35th São Paulo Biennial: Ana Pi
"A dialogue in displacement and between generations": this is how Ana Pi defines the work she developed in partnership with Taata Kwa Nkisi Mutá Imê, priest...













