Tag: artebrasileiros-58
The cangaço yesterday and today
Book "Bled memories: life and death in the times of the cangaço", by Ricardo Beliel, brings together photos and testimonies recorded by the journalist over the years touring the northeastern hinterland
Issue #58 contributors
Christian Dunker is a full professor in Psychoanalysis and Clinical Psychopathology at the Institute of Psychology at the University of São Paulo, with a postdoctoral degree in language pathologies. He is the author of a number of books, among them...
Is art without class struggle just decoration?
For some decades, a new ethical position has emerged in artists who work with struggles of groups and communities that are not part of hegemonic systems.
Exuberant visuals in a critical tone
Fabio Cypriano writes a review of the exhibition “Raio-que o parte: fictions of the modern in Brazil”, at Sesc 24 de Maio
European fetishism in the colonial context and its long-term effect: the case...
New museum institution in Berlin brings together rich material from people from different corners of the world, but ignores the original context
Rethinking Modernism from the Week of 1922
Centenary celebrated this year broadens the debate on the vanguards, relativizes the centrality of the São Paulo event and stimulates discussion about the unfolding and effects of movement in time and space
Afro-descendants, the internet and democracy at the end of the tunnel
While this too is a very distant dream, it is much closer than the dream of a golden age. However, the first requirement is memory. Poor memory benefits...
Aesthetic moment and the ethical time of democratic reparation
From different historical occurrences and concepts of psychoanalysis, the author discusses the idea of infinite mourning - common to cases of collective losses - and talks about the need for reparation
“Tunga: Magnetic Conjunctions” celebrates a work that remains
Artists' writings became ubiquitous structures in the international art circuit around the 1960s, when new narratives gained space and deepened the nature of the exercise of criticism. This attitude represented a...
Editorial: Towards the VII International Seminar “Culture, Democracy and Reparation”
The function of testimony has a reparatory dimension, insofar as it verbalizes and produces the social recognition of a traumatic history.
