Tag: artebrasileiros-57
Arthur Piza and his legacy for an eternal bridge with art
In Paris, the arte!brasileiros interviewed the art historian Betina Zalcberg, a member of the board of the Arthur Luiz Piza Fund and a friend of the artist who died in 2017
“Divided Picasso”: the artist and his image in communist and capitalist Germany
The Catalan artist is placed in the spotlight by the two Germanys still divided in the Cold War, in a controversial exhibition at the Ludwig Museum in Cologne
Paris: restoration and culture of memory
At a time of relative respite from the pandemic that has been plaguing us for almost two years, Paris took the opportunity to present some of its novelties with contemporary jewelry.
Editorial: all in check
Read the editorial of issue #57 of arte!brasileiros, by Patricia Rousseaux
Still groping, fairs, museums and international cultural institutions return to the face-to-face model
A arte!brasileiros he was at the FIAC, in Paris, held this year in temporary construction on the Champ de Mars; find out what were some of the highlights of the fair
Artists, young and collaborative
Established by Clelia and Arthur Piza, the award has been a stimulus for Brazilians and French people since 2014
Danilo Miranda: moving forward without restrictions
Despite the tragedy of the pandemic, a government that attacks culture, knowledge and science and the constant threats to the S System, Danilo Miranda says that Sesc-SP remains firm in its mission to promote well-being and culture (in its wider)
Videobrasil: four decades with a south-facing lens
After an unstable period, Videobrasil announces for 2023 the holding of the 22nd Bienal Sesc_Videobrasil, 40 years after the first festival
Rancière reviews modernism
In "Modern Times – Art, Time, Politics", the author uses as references only texts by white men from Europe and the United States
Environment, migrations and identities set the tone at BIENALSUR
Organized from Buenos Aires, but hosted this year in 23 countries - and in the virtual environment -, the third edition of the event deals with contemporary themes and tries to consolidate itself as an alternative model to traditional biennials
