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Carolina Maria de Jesus in 1960, in a photo for the magazine O Cruzeiro. Photos: Henri Ballot / O Cruzeiro Magazine

The words of Carolina de Jesus

Exhibition "Carolina Maria de Jesus: a Brazil for Brazilians" presents the possibilities of dialogue between literary art by black authors and exhibition spaces beyond a biographical perspective
View of the 3rd Bienal de São Paulo

Bienal de São Paulo: 70 years of successes and mistakes

Created in 1951, the main artistic event in the country and one of the most important in the world completes seven decades, overcoming the times of the dictatorship and holding remarkable events - some more, some less
Guidon, man of Betanimen

The intertwined times of Rosângela Rennó

Exhibition at Estação Pinacoteca presents a wide range of researches developed by the artist from Minas Gerais over 35 years of career, most of them having as main elements memory and photographic image.
View of the steps of the Paulista Museum of the University of São Paulo

Museu Paulista: a privileged place to rethink history

After extensive renovation, Museu Paulista, in Ipiranga, should reopen in 2022 with physical and conceptual adaptations, establishing new correlations between past and present that do not perpetuate stagnant visions and consolidated discourses of power.
New headquarters of the Casa do Pontal Museum

Casa do Pontal Museum gains a secure headquarters

After a decade of problems with floods, Casa do Pontal Museum moves its grandiose collection of popular art to its new headquarters in the Barra da Tijuca neighborhood of Rio de Janeiro
"Nhiromi", by Denilson Baniwa

Critique Frestas: political poetics

Frestas - Arts Triennale, at Sesc de Sorocaba, addresses the dramas of the contemporary world in a lyrical way
at Martins

Never like now: the recent paintings by No Martins

With large works that contradict narratives in which need and violence are immediately associated with the daily lives of black people, the artist presents an artistic project that understands its social and historical dimension.
It's dark but I sing

“Bienal of Hope” romanticizes catastrophes

"It's dark but I sing", at Ibirapuera Park, brings together significant and aestheticizing groups of Brazilian artists, but leaves transgressive activities to the past

Alfredo Jaar: on the politics of images

In nine works, the exhibition at Sesc Pompeia presents a set of works by the Chilean artist Alfredo Jaar, his questions about photography and his interest in the politics of images

Issue #56 contributors

See who are some of the contributors to issue #55 of arte!brasileiros