Tag: artebrasileiros-54
The Grace of Faith
Among us, an extensive cultural, ideological, legislative, religious and media apparatus was created to justify, serve and guarantee the permanence of privileges of that portion...
“It happens that we are cannibals!”, says the tropicalist pop by Glauco Rodrigues
The show Acaba que Somos Canibais!, by Glauco Rodrigues (1929-2004), has a samba school atmosphere, full of colors and allegories, born under the...
A vast public archive on curation in Brazil
In more than a hundred interviews conducted virtually with curators, Raphael Fonseca presents the plurality of professionals in the country, their stories, research and the difficulties of working in a very precarious market.
The [non] market of inclusion: ableism in the world of the arts
Artists reflect on the dilemmas of including people with disabilities (PWD) in the art world and talk about ableism and accessibility
Benjamin Seroussi: first the gestures, then the words
Benjamin Seroussi, director of Casa do Povo, talks about the reasons why the São Paulo cultural center started to act directly, not only in the virtual environment, during the crisis caused by the pandemic (and by the government) and highlights the difficulties and solutions to finance the space activities
Infinito Vai: a unique approach to the history of Brazilian architecture
Infinito Vai: 90 years of Brazilian Architecture, at Sesc 24 de Maio, subverts any concept of exhibition of the genre. Scenic, without being theatrical, has...
Mapping the roles of subversion
In a curious paradox, the police files gathered by the State Department of Political and Social Order of São Paulo (Deops) in order to...
Issue #54 contributors
See who are some of the contributors to this edition of arte!brasileiros
Editorial: In the debacle…
Plunged into a country adrift, shrouded in lies and cynicism, with more than 2 deaths a day and without decent...
Hal Foster: Everything is Fight
In the book “What comes after the farce?”, Hal Foster analyzes the effects of Trumpism on the North American arts scene and points out forms of resistance
