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“It is necessary to reactivate the erotic body of society”, says Franco 'Bifo' Berardi

In a forceful speech during the seminar, philosopher Franco “Bifo” Berardi says that we live in the world “the convulsion of a suffocated body” and summons youth, poets and artists as strategic agents of transformation
"Damned, Joyful and Devout Tropics 07" (2020), Rivane Neuenschwander. Photo: Disclosure.

Rivane Neuenschwander faces the paralysis of fear in contemporary society

In the exhibition "Cursed, Joyful and Devout Tropics", which was on display at the New York gallery Tanya Bonakdar, an artist alerts to the need to name, embody and face fears in their intimate or collective dimensions.
detail of the work "Damned, joyful and devout tropics 7". Cover of issue #52 of arte!brasileiros

Editorial: Against the devastation!

“This edition is full of articles that show ideas and productions by artists and curators who work in dialogue with their surroundings and their time; that express the need to abandon the self-centered subject; and show the importance of learning from each other”
The land art by the Italian Michelangelo Pistoletto, now finished, with 20 tons of stones, finds a permanent place at the Festival Arte Serrinha, in Bragança Paulista.

“Terzo Paradiso”, obsession with a new world

The land art of the Italian Michelangelo Pistoletto finds a permanent place at the 19th Festival Arte Serrinha, in Bragança Paulista
Speakers of the VI International Virtual Seminar: in defense of nature and culture - the art of the possible

VI International Virtual Seminar ARTE!Brasileiros: In defense of nature and culture – the...

Read full coverage of the event held by arte!brasileiros and by the Goethe-Institut on the 8th and 9th of October
Irish documentary filmmaker Bob Quinn in a scene from "One Hundred Steps", a film by Bárbara Wagner and Benjamin de Burca. Photo: Disclosure

Moving away from the self-centered subject; produce art in friction and difference

At the second table of the VI International Seminar ARTE!Brasileiros, Andrea Giunta spoke about the Mercosul Biennial and Bárbara Wagner and Benjamin de Burca showed a first-hand part of their new work, "One Hundred Steps"
Detail of a portrait of Aby Warburg by Rudolf Dührkoop, 1925.

Aby Warburg in dialogue with the contemporary

An art historian active between the end of the 19th century and the beginning of the 20th, he wins two exhibitions in important Berlin institutions at the same time that the city receives the 11th edition of its biennial