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Detail of the cover of the book A defect in color

A historiographical record by Ana Maria Gonçalves

Launched in 2006, the book "Um Defeito de Cor" is an indispensable classic of Brazilian Afrofeminist literature.

an exhausted country

For those who recognize and feel in their bodies the gravity of the crisis experienced in Brazil, in its various dimensions, it is increasingly common to feel exhausted.

depicting the invisible

As photographers around the globe strive to provide depth to documenting the Covid-19 crisis, the ARTE!BRASILEIROS presents a series of images taken in recent months in different countries

Colonization fake news

Indigenous peoples never built monuments, because this way of seeing the world through male heroes is a fantasy created by the white man to sell his war products.

What to do with the monuments of exaltation to the pioneers?

In the wake of the recent review of racist monuments around the world, with notable cases in England, Belgium and the USA, it is urgent to discuss the Brazilian case as well.
Constanza Alarcón, Augurios, 2020. Chile: al air, free

Chile: al air, free

Public art project carried out in Chile, in mid-May, brought together more than 70 artists and collectives who were present in suspended and postponed spaces during isolation in the pandemic.

The cry that comes from art

In isolation, artists systematically produce as a form of resistance to the virus and the president

Normal was not normal: What museums do we want after the pandemic?

It is essential to start anew, to decolonize the museum from its servile condition of the ideology of a power and of a global economy, to understand how the narratives that museums starred in, the way in which they received their audiences, as mere consumers, distorted and robbed them of the challenges of contemporaneity

Politics, culture and the museum scene in the country

Curator João Fernandes, artistic director of Instituto Moreira Salles (IMS), and museologist Marcelo Araujo, director general of the institution, talk about the work of the IMS in the context of the pandemic and about the policy for museums in Brazil
Aline Motta

Deconstructing white hegemony in Brazilian arts is an effective action for change

Despite the national production being diverse in languages ​​and authorship, we still maintain within it structures that naturalize the predominance of white authors and of European origin or descent.