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View of part of the exhibition that is on display at SESC 24 de Maio.

a curatorship

The historian and art critic Aracy Amaral writes about the exhibition "À Nordeste", on view at Sesc 24 de Maio, criticizing what she calls a "labyrinthine montage" made by the curators
SUN&SEA

2019 | 58th Venice Biennale empties into “interesting times”

New edition of the Italian biennial, curated by Ralph Ruggof, brings together works that illustrate urgent issues without complexity
David Magna, T3c36, 2019. colored acrylic.

The challenge of the possible gives breath to the 13th Havana Biennale

With this theme, the exhibition reappears after four years, interrupted by Hurricane Irma, in 2017
Above, Ernesto Neto, The Sacred Is Love, 2017

Exhibition at Pinacoteca reveals Ernesto Neto’s indigenous project

In the octagon of the Pinacoteca, Cura Bra Cura Té hosts participatory activations
The assassination of Piersanti Mattarella, Governor of Sicily, in 1980.

Witnesses of evil, of good, of life

Works and trajectories by Letizia Battaglia and Sergio Larrain win exhibitions at Instituto Moreira Salles in São Paulo
Nazareth Pacheco

Nazareth Pacheco: creation as a triumph of life

Exhibition "Records/Records", at the Kogan Amaro gallery, condenses the memory work done by the artist throughout her life
Juliana Notari, Mimoso, 2014

275 times Northeast

Exhibition "À Nordeste", at SESC 24 de Maio, seeks to discuss the imaginary about the Brazilian northeast without folklorization
Max Perlingeiro

Out of bounds that lock the actions

Max Perlingeiro is divided between curating exhibitions, publishing books and managing renowned collections

“We agreed not to die”, 2019

Check out the editorial of issue 47 of ARTE!Brasileiros
Ernesto Neto "Cura Bra Cura Te"

Exhibition at Pinacoteca reveals Ernesto Neto’s indigenous project

"Few artists manage to update the radical nature of Brazilian artistic production, where the body was part of the work, in the 1960s and 1970s, like Neto", writes Fabio Cypriano about the "Sopro" show.